The Dog

A dog built around his snarling teeth   

demonstrates human instincts

when I cross his ground.

Glass stare, no, spikes from his face,

his crew cut spines speared,

snarl or smile, legs set in concrete:

stance consciousness.              

The considered setting of his growl:

natural resonance of nerves.

The chosen time for a step:

psychology of closing, removing space,

building a crescendo of presence.

Then the howling with muscle release:

snap of dogs, snap of men.

Final Breath

in memory of Pearse Hutchinson

In that last moment your breath halted in your mouth;

the  air teetered on your tongue; one last taste perhaps.

Death flew across the room, your eyes followed it,

leaving us, exiting through the walls.

Vivaldi played on,

emerged from behind  your troubled  breathing.

For that few moments,

baroque splendour  was your breath condensing around us.

Where The Poetry Comes From

Fathomless blue;

Blue sky.

Two swallows proclaiming it

Are extravagant

Dancers in an empty ballroom.

A church bell chimes

Two, three, five o’clock;

No matter.

Tracing curves to unending time;

A route to south Africa ?

Fathomed true;

Blue sky.

The Tide's High Blood Mark

  

                 (Before The Firing Squad)

Ready

           

            The sun's tide

            is licking me.

           

Aim

            In one eye-full I have examined every brick,

            seen the crack in that window,     

       `   the wasp on the flag

            and still felt the sun

            and heard the voice right down

            to a bubble on his vocal cords.                                        

Fire

            The sun travelled its 93 million miles.

            Threw my shadow against the bricks.

            My shadow stretched

            My shadow stretched

            My shadow stretched

            And the sun said

            That my shadow was as tall and slender

            As any wave that ever rose

            That ever rose out of the full tide

            Climbed and stretched its arms

            Over the bricks of this barracks wall.

Old Man

The tyre hanging in the garden

is proof that children used to  play there;

but in the breeze it’s a shaking head.

Today snowflakes flying by

leave the sycamore white on its northern side.

The garden is still: no snowman, no footprints.

The tyre is an old man;

with an old voice, he explains:  

“I cannot remember names; truth is

I hung too close to the trunk to be of use;

the sycamore branches bolted upwards;

to this day they’ve never spread out.”