Peninsula

A peninsula: shingle, cockle and barnacle shells, strips of desiccated wrack,

greened with sea-holly. The wooden cabin, though frequently lashed with spray,

was salted dry, and coloured somewhere between bone and limestone;

I lived there for five months before you came.

From the land our light seemed no more than a single candle burning;

the clothes on our line had the appearance of  rags,

and the smoke from our fire curled into the sky with a nonchalance

that suggested our daily struggles with lighting washed up timbers.

You’ll remember the shingle made walking difficult; with each step the stones rolled.

You said it sounded like the grinding of a mouth full of loose teeth; but, around the bay,

 a billion stones rolled thunderously with each beached wave;

and the  breeding terns came at us like boomerangs.

Nights: we were  unlit stars perhaps, but at one with the universe, free and alive

 in the unbroken expanse of shore, sea and sky; we had  space

 to be colossal, to exhilarate; and moonlight, our spotlight to roar songs into the cosmos,

to take the universe’s light into our eyes and exult in it.

Came the day of migration: wings outstretched, muscles fluid, necks craned to our separate
destinations; we, without backward glances, took to the air

with eyes big enough to countenance the curve of the earth, greedy enough to fly it;

and left our peninsula, a finger  pointing to somewhere .

Inheriting The Land.

  Emigration seems to be a never-ending feature of Irish life. This poem  is rooted in the Ireland of my childhood.  The boat then had the effect a little death for those left behind.

Inheriting The Land.

Here the sea is no more than a sigh in a shell,

conversations speed past, pole high, Dublin to Galway

and music is the wind whistling beneath a door.

Slightness describes Summer's step,

stonework its skies; a little light drips

from its edges but it's falling from a miser's hand.

Across the fields the church, within its necklace

of dead congregations, is a rusty hinge;

a place filled with a century's stillness.

And the ivy-choked trees lean closer together

like old men guessing at each others' words.

If you were to fly over these patchwork hills,

along the hedgerows and through the lightless haggarts,

you'd never meet a soul. The old farmers are sitting

in their twilight kitchens, their families standing

on the mantelpiece in the other room that's never used

with faces tanned beneath American skies.

Only the din of crows seeps into that silence;

crows more numerous than leaves on the sycamores,

always bickering, hogging the light,

building their cities, staking their inheritance.