On Murvagh Beach

There’s so little difference between sea and cloud

that the whole scene might as well be upside down,

with the bisectors of St John’s Point, a finger stretching

across the horizon, and Mullagmore, a finger, Adam’s to God,

reaching back. To the left, white clouds are hanging,

sheets from a bed, down the sides of Ben Bulben; to the right

the Bluestacks are slumped  beneath mosquito nets of rain.

Smokey light is filling the bay like ether, lulling the world,

so waves that have raced across the ocean, surviving the fury

at Rosnowlagh, now collapse, spent, onto the sand.

Murvagh beach, pooled with clouds we’re walking through;

two silhouettes moving along the bottom edge of a canvas now cause

 a tin of paint to splatter upward: a bevy of oystercatchers taking to flight.