Moving House

I am casting away the jetsam of forty years;

the once indispensable, now surplus cargo of a life

that failed to reach its destinations.

I am throwing away the evidence of fanciful notions,

ambitions that were too far out thin branches;

hopes that were shining bright, I left to wither.

I am casting them off without glancing back;

not for lack of regret or care, but knowing that

disappointment is no starting block for a new life.

The Clam

I picked a clam from the beach, a beautiful thing.

Its valves exquisitely symmetrical, its surface lustrous,

ridges swept in a graceful wave outward from the beak.

I keep it on the mantelpiece; it reminds me of perfect love:

the symmetry, the wave, the gleam, the perfection of it.

It reminds me of how we created a love that enfolded us

in a warm shared self-knowledge, a completeness of pairing; 

that symmetry of happiness apparent even to a passer-by.

Stream

              

                       Sinuous,

          the stream weaving braids:

 its muscles,

               solving the puzzles

                       set by strewn boulders,

              runnelling down geologic time.

Always motion; plaits,

      light and water indivisible,

               streaming moss, cloud, over-hanging bush;

                                  quietude or turbulence

                          on the whim of a sharp edge,

                                    creating music

           from the shiftings of time.

A Rose For Valentine's

Imagine an embrace: enfolding, encircling.

Imagine it warm, not intense, but lush pleasure.

Imagine it deep within other embraces; similarly

warm, encircling; similarly pleasurable. Imagine

it folds embrace outward to embrace, warm, not

intense, lush pleasure; circles folded within circles.

Imagine all is embrace, encircling, warm pleasure.

The Boy Who Watched For Apparitions

  Goodnight to the twin moons

  stretched along the railway tracks

  outside Roscommon.

  My night-time window halved

  with those trains rushing across the glass,

  strips of film filled with their own lives:

  adventurers and bon-vivants,

  whose strings of lights recreated as they passed

  the grassy slope, the elder bushes,

  the buffer with the hole in the side;

  strangers oblivious to such little worlds

  and to the boy who watched for apparitions

  from his bedroom window.

  And in a moment they were gone,

  leaving the darkness darker and the boy listening,

  trying to gauge where the sounds 

  finally disappeared into the wind.

 

  What lay beyond that window-world ?

 

  The station to the right,

  the white gates to the left,

  and then..........

 

  Now I remember those film strips

  sailing through that pitch emptiness; 

  sometimes they were only ruffed impressions

  when the window was full of pouring rain.

  I remember how my imagination filled like a can

  when all that was left was the headlight's beam

 over the trees of Bully's Acre.

  And there is often disappointment in these poems;

  the disappointment of that place beyond

  where the rhythms of trains were reclaimed by the wind.

Still Island*

The trees make a cracked sky;

beyond that, they make no sense at all.

There is so little soil beneath them;

they grow into deformity, arguing

for each inch of the ground they stand on.

Heaped stones made the island. Hands:

imagine the skin, softened by the lake water,

shredded by sharp-edged slabs.

What soil gathered, gathered by growth

of moss, beetle, moth wing.

The water gurgles between the stones,

still puzzling at the intrusion.

The hands are shining somewhere between

Cassiopeia and Cepheus.

The trees whistle to the birds.

It is thought that Still Island at Baile Dhubh Loch near Corr na Móna on the Galway Mayo border is a crannóg (a man-made island,  built for safe dwelling, and once quite common in Ireland and Scotland).

Patsy's Life

Patsy

Patsy thinks of sex, but without faces;

he often thinks this way

because there never was a welcoming face,

so he's never had sex,

and this July he'll be 46.

Patsy lives alone, and is settled in his ways;

people think him strange,

never ask him to join them in the pub

or wherever;

‘he’s getting more peculiar’, they say.

Patsy has an office job;

colleagues bid him good morning at coffee-break

but sit at another table.

He eats his lunch in the Arms bar,

and always sits facing a wall.