The Dog

A dog built around his snarling teeth
demonstrates human instincts
when I cross his ground.
Glass stare, no, spikes from his face,
his crew cut spines speared,
snarl or smile, legs set in concrete:
stance consciousness.
The considered setting of his growl:
natural resonance of nerves.
The chosen time for a step:
psychology of closing, removing space,
building a crescendo of presence.
Then the howling with muscle release:
snap of dogs, snap of men.

The Disaster of War

I get a lot of inspiration from photographs, particularly those that relate to human tragedies; and of these none have moved me more than Don McCullin’s work.
This photograph exemplifies my point. This soldier: his pockets pilfered, a trail of personnel items strewn on the ground. A family destroyed, their photographs scattered; the ruination of lives unimportant, the girl in the photograph just a child. All that is important to the assailants: pilfered. There is no glory in war.



Soldier


Shot crossing a wasteground;
they left him,
pockets pilfered,
staring beyond all wars;

a trail of photographs
and letters running from him
like a congealed flow
of memories.