Showing posts with label Cailleach. Show all posts
Showing posts with label Cailleach. Show all posts

Friday, October 19, 2018

She came to test me.*




Did her hair flow bright as honey down her back? 
Was the wild rose the blossoming of her cheeks? 
Or, was her face was a web of soil-filled furrows?  
Were her eyes flinty with the cunning of age?  
  
I passed the test of kingship, I did not falter; 
She came old into my eyes, but was young in my arms, 
With fingers flowing gently over my temples,  
Breath sweet in the full bloom of her mouth, 
Voice rich as the blackbird’s on the highest branch of an oak.  
For a king must be one with the spirit of the land 
whether it be dressed in the barehaggard bones of January,  
or the lush green coat bejewelled in May. 


*The high kings of Ireland had to lie with (or marry) the Hag to show that they were beyond being seduced 
by the easy things in life.

Monday, July 31, 2017

Cailleach and the Púca



The Cailleach* stole apples from her rival Bríde and stored them till they were rosy-cheeked merry. They were in this condition when the Cailleach’s goat found them; and soon after he, in similar condition, jumped clean over the fence, and went careering through the countryside.

When she went in search of her goat, the first man the Cailleach met along the road remarked that a rabbit had stopped him and winked. A second met a hound who asked the way to Shrule, while a third, dishevelled and breathless, said a horse offered him a lift home, and carried him two miles out of his way.

For a year she trawled the countryside, hearing stories of a rampaging shape-shifter, till at last, the night after Samhain, she came in sight of her own field where an old man, sitting on a rock, eating an apple, greeted her.

They chatted happily for an hour or two on matters as diverse as the husbandry of goats and the tastiness of apples. There was a white patch on his meg that drew her attention over and over; there was something about it. And suddenly she knew. Like lightening she sprang on him, but he was swift and rolled from beneath her; in an instant, a hound was bounding into the distance with the most almighty great leaps.

The chase engaged, Cailleach flinging stones that lodged on hilltops, the hound sometimes treading on them as they rolled under his paws. They circumvented the whole of Ireland in a matter of days, leaving the landscape re-shaped behind them. It never ends. Each November storms circle the land from Dingle to Derry, Dundalk to Ring in a never ending cycle, Samhain to Lá Bríde; the hound howling, the Cailleach hot on his tail, stealing light from the sky with her never-ending hail of stones.

You can verify this account if you wish. The stones at Killeen Cormac are among the stones she has thrown; the hound’s footprints are in a boulder on Brewel Hill. The apples the goat scattered are the orbs of energy often appearing, still scattered, in photographs. The Púca’s antics are known all over Ireland and many are still recorded by unfortunates walking quiet roads late at night. Puck Fair is the yearly commemoration of the shape-shifter Púca*. And those great circles over Ireland, seen nightly on weather forecasts from September to February, are the chase as seen from the moon.



The Cailleach is a Celtic deity, goddess of winter, also associated with earth formations, changing of the seasons, animals. She feature in many legends, in particular stories of her rivalry with Bríde, goddess of spring.
Púca (Phouka, Pooka) is a malevolent/mischievous/benevolent shapeshifter from Celtic folklore; a bringer of good, more often bad luck.


Saturday, January 3, 2015

A Meeting with Winter


The Cailleach is the goddess of  winter, Bríghde is her summer counterpart. A hag that can appear as a  beautiful young woman; she carries a staff that struck against the ground will cause it to freeze over instantly. She is associated with mountains, hills and cairns; the formation of landscape and the annual cycles and renewal in nature.
The looseness in interpretation of her powers, the large number of legends that surround her, her symbolism in relation to ecology and the state of the earth today, the leeway one has to represent her in  myriad ways makes, (and has made), her rich material for writers, poets and artists.
 
Driving a herd of goats down a gorge:
primeval creatures with colossal spiralling horns,
coarse matted hair, yellow eyes. 

Tendrils of hair trailing down her back,
silver streams through the buff tussocks,
the swirled bronze bracken of winter. 

Her face, graphite sheet of a waterfall;
eyes, dark crags in its flow;
at its foot a rowan’s red mouth. 

A staff held high,
above us hail stones ripened for a fall;          
she drove us from the mountain with lashes on our backs.

                                                                     from Above Ground Below Ground

Saturday, March 2, 2013

The Cailleach



Clay in her mouth,
clothed in darkness, caged in stone.

She speaks in
the crumbling of mountains,
creeping of oceans across continents.

She pauses;
earthworms devour boulders.

(from Above Ground Below Ground)