Andrew Wyeth died in January. He along with Edward Hopper are my favourite American artists. I use art to stir ideas and emotions, and have found myself revisiting their works over and over, usually to kick-start my writing. They both use and space and emptiness in their works; figures appear alone, dreaming or lost in unfathomable thought. Houses or rooms with breezes stirring curtains, rooms devoid of life, man-made features still. They convey isolation or loneliness.
Not always of course. Wyeth has produced beautiful portraits of strong-minded, physically strong individuals with a countryish integrity in their features. He gives his models a dignity and they have a striking presence. I also think that he captures, and more accurately than other artists, the true essence of country life, the colours and textures of the rural landscape; he creates in his images an atmosphere of his home place Chadds Ford as distinct from a sterile representation.
My favourite is probably “Snow Hill” which apart from being a beautiful image is also cleverly autobiographic. It can be seen at http://online.wsj.com/article/SB123274763342511309.html along with a write-up. The following YouTube video is nicely done. It was posted by andrewckk.
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Poetry by Irish poet Michael O'Dea. (poems © Michael O’Dea, Dedalus Press, Amastra-n-Galar, Lapwing Publications)
Showing posts with label "Andrew Wyeth". Show all posts
Showing posts with label "Andrew Wyeth". Show all posts
Friday, May 1, 2009
Wednesday, April 9, 2008
Artists with Poetry in their Hearts
I have been told more than once that I have a tendency towards melancholy. It shows in the writing and it shows in my choices when I go searching for inspiration. Edward Hopper and Andrew Wyeth are two american artists that never fail to stir that mood in me.If I allow myself to wallow in their art, invariably a poem will begin to form in my head.On this side of the water Martin Gale sometimes evokes similar moods and his work has echoes of both american artists.
Old Man
The tyre hanging in the garden
is proof that children used to play there;
but in the breeze it’s a shaking head.
Today snowflakes flying by
leave the sycamore white on its northern side.
The garden is still: no snowman, no footprints.
The tyre is an old man;
with an old voice he explains
“I cannot remember names, truth is
I hung too close to the trunk to be of use;
the sycamore branches bolted upwards,
to this day they’ve never spread out.”
from "Turn Your Head" published by Dedalus Press
Anyway it's nice to be able to include some examples of this art in the following presentations from Youtube; Wyeth on top, Hopper below.
Old Man
The tyre hanging in the garden
is proof that children used to play there;
but in the breeze it’s a shaking head.
Today snowflakes flying by
leave the sycamore white on its northern side.
The garden is still: no snowman, no footprints.
The tyre is an old man;
with an old voice he explains
“I cannot remember names, truth is
I hung too close to the trunk to be of use;
the sycamore branches bolted upwards,
to this day they’ve never spread out.”
from "Turn Your Head" published by Dedalus Press
Anyway it's nice to be able to include some examples of this art in the following presentations from Youtube; Wyeth on top, Hopper below.
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