A low February sun is accentuating the straight edges of the patio
bricks, the uneven
surfaces of the
stonework in the pillars beneath the lamps, the darkness of the
shaded
sides of ivy leaves
and limbs of winter trees. From a clay-blue sky, it is casting its gold-dust
light across the
abandoned railway siding, out over the bay to the mountains, Sliabh League
to Killybegs, casting them in a distant, gauzy mysteriousness.
The friary
bell-tower shows above the trees, a pitched roof and bare metal
cross.
From here, it might
as well be deep in woodland, abandoned, overgrown even;
not so, it stands
beside the road with lawns and parking spaces to the front, elaborate
grottos; in red
brick, a modern take on cloisters leads from the church to the house;
on Sundays cars line
the roadsides; the priest’s voice drones from loudspeakers.
The heathers in the
flowerbed are in full bloom, gleaming shrubbery leaves suggest recent
rainfall but they
are dry, the sun reflecting back, a million lights; and into my eyes,
a clear shining liquid ‒ exhilarating
sunlight ‒ life
brimming and uncontained; as though
this world was a
bottomless well, a never-ending source of happiness, and still, to
know
that around the
curve of the earth, a five hour flight, the sun is shining on
darkness.