DANCE, DHARMA & GOOD KARMA!!!!!!!
THIS YEAR’S 6th RATHMINES FESTIVAL TAKES PLACE FROM 17th to 20th April. The festival boasts even more events than ever at venues dotted around Rathmines – most free of charge.
DANCE workshops with the Dance Theatre of Ireland, Siamsa Tire and Fluxusdance means this is your chance to experience and enjoy tango, hip hop and contemporary.
Emer McDonagh, world-renowned flautist, will enchant you. Nightly Festival Clubs in local pubs will offer a diverse feast of music that is sure to please everyone.
We are adding a touch of Bollywood spice to proceedings with film showings in D.I.T. The very popular guided tours of the historic Cathal Brugha Barracks will also feature this year. The enthusiastic Eanna Ni Lamhna will inform and entertain you with a lively canal bank nature walk.
DHARMA: Talks and workshops on mind body and spirit. Anne Sweeney will lift you to a higher plane with her Angel workshops and Mary Tuohy will relax you with the ancient Japanese art of Reiki. There is Tai Chi in the Park.
Younger participants will be able to enjoy free readings in some of the local bookshops from well-known authors as well as competitions, Batik art displays, street art and performers, musical storytellers and a Party at Portobello.
Tommy O’Neill of Fair City has written a one-man show. Shirley Temple Bar will deliver another custom-made show, Transition, sure to titillate. As gaeilge, the Fibin Theatre Company will perform An Trial.
For the Francophiles: “Pays Blanc Pays Noir” is a choir from St Nazaire made up of 12 singers and a pianist. The group dress in black and white and the choir conjures up images of la Brière, the Guérande and Saint-Nazaire.
Seamus Hosey chairs the Forum, Trial by Media, featuring John Cooney and other prominent journalists.
Poetry by Irish poet Michael O'Dea. (poems © Michael O’Dea, Dedalus Press, Amastra-n-Galar, Lapwing Publications)
Saturday, April 5, 2008
Tuesday, April 1, 2008
Rathmines Festival 2008
Some of the events from the upcoming festival:
Fri 18th April
Performance by French Choir, “Pays Blanc, Pays Noir” from St Nazaire, France and music Youth Orchestral Pops Orchestra. 19.00 – 21.00 in Rathmines Parish Church (Free)
Festival Drama – World premier of the “The Mines Dublin 6” specially written and peformed by Tommy O’Neill of Fair City. 20.00 – 21.00 in St Mary’s Junior School Hall €10
Saturday 19th April
Guided Tour: Cathal Brugha Barracks. 14.00 – 16.00 Free
Anthony Cronin: reads from and talks about his work. 14.00 – 15.30 in Town Hall €5
Medieval Dublin interactive DVD and film. 14.00- 15.00 in Town Hall (Free)
Forum with Seamus Hosey and panellists: Trial By Media Town Hall 16.30 – 18.00 in Town Hall (Free)
Fete Mélange – with Master of Ceremonies Promises O’Ferfaille and the Bugle Babes and Shirley Temple Bar. 20.30 – 22.30 in Town Hall €10
Fri 18th April
Performance by French Choir, “Pays Blanc, Pays Noir” from St Nazaire, France and music Youth Orchestral Pops Orchestra. 19.00 – 21.00 in Rathmines Parish Church (Free)
Festival Drama – World premier of the “The Mines Dublin 6” specially written and peformed by Tommy O’Neill of Fair City. 20.00 – 21.00 in St Mary’s Junior School Hall €10
Saturday 19th April
Guided Tour: Cathal Brugha Barracks. 14.00 – 16.00 Free
Anthony Cronin: reads from and talks about his work. 14.00 – 15.30 in Town Hall €5
Medieval Dublin interactive DVD and film. 14.00- 15.00 in Town Hall (Free)
Forum with Seamus Hosey and panellists: Trial By Media Town Hall 16.30 – 18.00 in Town Hall (Free)
Fete Mélange – with Master of Ceremonies Promises O’Ferfaille and the Bugle Babes and Shirley Temple Bar. 20.30 – 22.30 in Town Hall €10
Labels:
"Bugle Babes",
"Rathmines Festival"
Sunday, March 23, 2008
Dublin Writers Workshop
Great credit is due to Nessa O’Mahony for her website “Dublin Writers Workshop Online” see < http://dublinwritersworkshop.wordpress.com/ >.
It all goes back to the well-known Dublin Writers Workshop that met for years in a range of venues around Dublin and attracted many writers that have since become familiar names e.g. Sheila O’Hagan, Jean O’Brien, Ted McNulty and many others. I was a regular in the early nineties but have often argued against the notion of workshops, mainly on account of the very mixed ability of writers that attended.Now I have to give credit to that workshop in particular; a disproportionate number of the members have gone on to be widely published and award winners.
Anyway Nessa O’Mahony who definitely falls into the category of successful past members, facilitates this website; she does writers, poets in particular, a great service and this is a great resource.
It all goes back to the well-known Dublin Writers Workshop that met for years in a range of venues around Dublin and attracted many writers that have since become familiar names e.g. Sheila O’Hagan, Jean O’Brien, Ted McNulty and many others. I was a regular in the early nineties but have often argued against the notion of workshops, mainly on account of the very mixed ability of writers that attended.Now I have to give credit to that workshop in particular; a disproportionate number of the members have gone on to be widely published and award winners.
Anyway Nessa O’Mahony who definitely falls into the category of successful past members, facilitates this website; she does writers, poets in particular, a great service and this is a great resource.
Tuesday, March 11, 2008
What's in a Title
Occasionally a combination of words grabs you, opens up a new space in your mind, new possibilities. Mary O’Gorman’s title “I am Horses, I am Swallows” is a title that does just that. I came across it at Southward, newsletter of the Munster Literature Centre, Sullivans Quay, Cork; http://www.munsterlit.ie/Southword4/Poetry/poetry.html#still. On same page poems from Pearse Hutchinson, Paddy Bushe, Fred Johnston and others. Worth mentioning by the way Paddy Bushe, who I have a lot of time for; he has a new collection: To Ring in Silence: New and Selected Poems (The Dedalus Press, 2008).
Sunday, March 9, 2008
Ireland and Newfoundland
A wave of emigration from Ireland to Newfoundland, particularly from the south-east of Ireland, occurred in the early 1800’s even before the famine. Today a great number of the Newfoundland population have Irish roots.
The strength of poetry in Ireland is well known, but many here would have been unaware of the strength of poetry in Newfoundland and Labrador at least up to the publication of The Backyards of Heaven An Anthology of Contemporary Poetry from Ireland and Newfoundland & Labrador (eds. Stephanie McKenzie and John Ennis Scop Productions, 2003). The book was a celebration of our common heritage. I was glad to be included.
I mention it by way of introducing a video from Youtube.Can you believe this is not a video from Wexford?
The strength of poetry in Ireland is well known, but many here would have been unaware of the strength of poetry in Newfoundland and Labrador at least up to the publication of The Backyards of Heaven An Anthology of Contemporary Poetry from Ireland and Newfoundland & Labrador (eds. Stephanie McKenzie and John Ennis Scop Productions, 2003). The book was a celebration of our common heritage. I was glad to be included.
I mention it by way of introducing a video from Youtube.Can you believe this is not a video from Wexford?
Saturday, March 1, 2008
Interest in Poetry
The new ESRI Report, In the Frame or Out of the Picture?, analyses current involvement in the Arts in Ireland in terms of participation in the arts, attendance at arts events and reading habits.
It comes up with some interesting statistics relating to poetry:
Women are more than twice as likely to read poetry than men
Age, gender, educational attainment are among other factors that impinge on the readership of poetry but not social class. Interestingly social class is a factor in other categories of reading choice.
Age is (surprise surprise) a major factor in readership of poetry with over 65’s over six times more likely to read it than 35 – 44 year olds
Poetry reading is strongly related to educational attainment; the post-grad holder figure is over 3 times the figure of those without third level qualifications.
It would be nice to see an analysis of interest in poetry in all its guises undertaken under the auspices of Poetry Ireland, an organization that would have the influence to implement a strategy to deal with the findings. In particular, I would be interested to learn how the colossal exposure of second level students in Ireland translates into such low levels of manifest interest and appreciation.
Surely there is an urgent need for a move to be made in this direction?
It comes up with some interesting statistics relating to poetry:
Women are more than twice as likely to read poetry than men
Age, gender, educational attainment are among other factors that impinge on the readership of poetry but not social class. Interestingly social class is a factor in other categories of reading choice.
Age is (surprise surprise) a major factor in readership of poetry with over 65’s over six times more likely to read it than 35 – 44 year olds
Poetry reading is strongly related to educational attainment; the post-grad holder figure is over 3 times the figure of those without third level qualifications.
It would be nice to see an analysis of interest in poetry in all its guises undertaken under the auspices of Poetry Ireland, an organization that would have the influence to implement a strategy to deal with the findings. In particular, I would be interested to learn how the colossal exposure of second level students in Ireland translates into such low levels of manifest interest and appreciation.
Surely there is an urgent need for a move to be made in this direction?
Saturday, February 23, 2008
Stop the Next War
I came across this on YouTube. It's a very poignant and striking statement against all war-making.
Friday, February 22, 2008
Bio-energy

I normally don’t say anything about Kay’s business but recently she has had some spectacular results healing through Bio-energy. You can learn more about bio-energy at her website
Labels:
"Catherine O’Dea",
Bio-energy
Thursday, February 21, 2008
Rathmines Festival
My role with Rathmines Festival is peripheral this year; I’m no longer part of the organising committee. I'm enjoying the relaxation that comes with that but do miss the excitement and, to some extent, the anxiety. Good luck to my successor James Casey. The Festival will take place over the weekend April 18th - 20th. Over the years we’ve (surprise surprise) had a strong literary component. I hope it continues. Mention was made of an event involving Anthony Cronin, but I’m not sure if this is definite. I’ll post events as they become known.
Labels:
"Anthony Cronin ",
"Rathmines Festival "
Writing From Within
Notice of Writing From Within, Haiku and the Spiritual Dimension, comes from Maeve O’Sullivan. This is a workshop with Maeve O’Sullivan and Kim Richardson that will take place from Sat 12th to Sat 19th July 2008 in Anam Cara, Writers and Artists Retreat, in the Beara Peninsula. "This workshop is designed to help develope paths to our own inner inspiration." It combines " the haiku work with meditation, breath and light practices......... ". Further information can be got from Sue Booth Forbes at anamcararetreat@eircom.net.
Labels:
haiku,
O'Sullivan,
Richardson
Wednesday, January 30, 2008
Caccini's Ave Maria
This is exquisite. Don't bother about the pictures, turn it up, close your eyes and savor
Tuesday, January 22, 2008
Pádraig J Daly and RS Thomas
Pádraig J Daly is a poet I have great time for. I find his poetry thought-provoking and persuasive. He does not roar his presence, for many he had to be found but once found he leaves a lasting impression. Some of his poetry is reminiscent of the poems of another clergyman, RS Thomas. “Clinging to the Myth” (Dedalus Press, 2007) is his most recent collection and you can get a sampler of these poems by following the links on the Dedalus Press website. He can also be heard in the Dedalus Press Audio Room. A selection of poems by RS Thomas can be found at
< http://www.eliteskills.com/a/R.S.+Thomas>; his poem “The Bright Field” can be found in a number of places on the net, but I think you might enjoy it most at the following address < http://www.panhala.net/Archive/The_Bright_Field.html>
< http://www.eliteskills.com/a/R.S.+Thomas>; his poem “The Bright Field” can be found in a number of places on the net, but I think you might enjoy it most at the following address < http://www.panhala.net/Archive/The_Bright_Field.html>
Labels:
" Pádraig Daly ",
"RS Thomas"
Sunday, January 13, 2008
Tuol Sleng Still
In 1999 I wrote a series of poems called Tuol Sleng Still. They were inspired by the gut-wrenching photographs of the inmates of Tuol Sleng, S-21, a Khmer Rouge death-camp in Phnom Penh. Between 1975 and 1979, 14,000 were tortured and died there. 7 survived. Inmates were photographed with numbered tags, and they were photographed again after their deaths.
Anyone who has experienced such horrors would probably consider my poems from the comfort of 1999 Ireland wryly. I was horrified by my ignorance: during those years I was enjoying a carefree college life. But to see the fear in faces that are little different to those that fill my everyday; I immediately felt immense sadness and felt I should, at least, inform myself. And by researching, writing and publishing the poems I could at least make the experience more real to me and contribute in a minute way to the calls against the wars and barbarism that seem to me to exemplify the pitiful limitations of us humans.
I chose Tuol Sleng because the photographs that inspired me were from there. There is a danger that I will suggest that people from far-off lands with different features to ours are barbaric, however I consider the vacuum-pack cleanliness of American mass-murder by air-strike at least as obscene, if not more so. I consider the war in the Middle East carried out and supported by governments in our name to be abhorrent. That era in the seventies is and isn’t history: unfortunately, for too many around the world it is Tuol Sleng still.
I looked at him,
Cambodian like myself,
similar in height and age.
He was handing out the tags;
I was bare to the waist.
I held the tag in my hand,
holding it up to be seen;
feeling awkward, conspicuous.
“Pin it onto your chest”
he said and waited.
I pinned it into my skin;
the humiliation delighted him.
Before the camera I stood erect
like I was proud to wear it,
like it was made of gold.
Anyone who has experienced such horrors would probably consider my poems from the comfort of 1999 Ireland wryly. I was horrified by my ignorance: during those years I was enjoying a carefree college life. But to see the fear in faces that are little different to those that fill my everyday; I immediately felt immense sadness and felt I should, at least, inform myself. And by researching, writing and publishing the poems I could at least make the experience more real to me and contribute in a minute way to the calls against the wars and barbarism that seem to me to exemplify the pitiful limitations of us humans.
I chose Tuol Sleng because the photographs that inspired me were from there. There is a danger that I will suggest that people from far-off lands with different features to ours are barbaric, however I consider the vacuum-pack cleanliness of American mass-murder by air-strike at least as obscene, if not more so. I consider the war in the Middle East carried out and supported by governments in our name to be abhorrent. That era in the seventies is and isn’t history: unfortunately, for too many around the world it is Tuol Sleng still.
I looked at him,
Cambodian like myself,
similar in height and age.
He was handing out the tags;
I was bare to the waist.
I held the tag in my hand,
holding it up to be seen;
feeling awkward, conspicuous.
“Pin it onto your chest”
he said and waited.
I pinned it into my skin;
the humiliation delighted him.
Before the camera I stood erect
like I was proud to wear it,
like it was made of gold.
Labels:
Tuol Sleng,
Turn Your Head
Monday, January 7, 2008
Gorumna Island, 360 degrees Connemara Landscape
I'd forgotten about this snippet of video from a walk in September 2006. Pass through the island of Lettermore over the bridge onto Gorumna Island. A stunning part of county Galway and away from the worst excesses of tourism. My dancing's rough, so is the terrain but isn't it beautiful. Kay on camera. Reminds me, it's about time for another visit.
Sunday, January 6, 2008
Roscommon Writers

Now that the O’Dea house in Roscommon is no more - my mother died two years ago and the house has since been demolished – I feel quite eager to put together an event comprising Roscommon writers and musicians to take place in Dublin, Roscommon, and anywhere else that would stage it. The suggestion was put to me some years ago; lately it has been on my mind again. I launched my first collection Sunfire in Roscommon and it proved to be a marvellous occasion.
I am also weighing up an anthology of writings by Roscommon writers, eg Douglas Hyde, Percy French, John Waters or alternatively, writers with Roscommon connections. The two lists would make interesting reading. Writers belonging to either or would include John McGahern, Patrick Chapman, Jack Harte, Patsy McGarry, Kieran Furey and..... I must investigate.
If this question still interests me tomorrow morning; I’ll take the first step.
Labels:
Roscommon,
Roscommon Writers
Subscribe to:
Comments (Atom)