Dublin to Dysert O'Dea

I was looking through the O’Dea Clan guestbook and came across an entry asking for tips on how to maximise the experience of a trip to Dublin and including Dysert O’Dea ( Clare) over four days in Nov. I like this sort of question. So here’s my list for those who are into culture, history, heritage etc.
1. Take in a trad session in a pub, e.g. The Cobblestone in Dublin.
2.E|njoy a play in the Abbey or the Gate,
3. A hurling match in Croke Park (weekends), you won’t see anything like it elsewhere.
4. Nicest walks in Dublin area are Bray to Greystones or path around Howth Head
5 Kilmainham Gaol for 1916 era history museum. An absolutely top notch museum.
6. Going to Dysert, get the Burren Map ( Tim Robinson’s 2 inch map), and the "Book of the Burren" (O'Connell and... v readable) and see some best archaeological sites (eg Caherconnell Fort) in Ireland, walk the green road, take time to enjoy Black Head round to Doolin ( get out of the car for this), enjoy a good meal in Corofin.
7.Take boat from Doolin to Inis Oirr (if weather permits)
8. See the Cliffs of Moher and St Brighid’s well on road to Liscannor.
9.Have a pint in Liscannor.
10. Or if you are a Yeat's fan, skip 6-10, go to Yeats Tower, Coole Park and Kilmacduagh monastic ruins outside Gort and onto Galway for an evening around town.
11. Returning to Dublin detour to Strokestown for Famine Museum. If time permits detour later to take in Fore Monastery ruins near Castlepollard in Co Longford.

Fish Stone Water

Holy wells have an atmosphere about them that is unique. They are portals into another place: ancient, otherworldly, magical, serene. They and the practices associated with them are at odds with a world becoming increasingly homogenised and functional.

I’m just after finding the website of Sláine, Guardians of the Wells. This may turn out to be a great find as I’ve been thinking of taking a tour of holy wells around Ireland for years. You can find it at http://slaine.ie/about.php

If you’re not into the well thing, take a look at Fish Stone Water: The Holy Wells of Ireland by Anna Rackard. Publisher: Attic Pres. A beautiful book published some years back. After that, visit St Brighids Well, Liscannor, Co Clare. And that’s my ‘starter pack’ for potential wellies.

“Rachel Giese The Donegal Pictures”

Rachel Brown (formerly Rachel Giese) published “Rachel Giese The Donegal Pictures” in 1987. I got the ideas for some for some of my poems browsing through this beautiful book.
Since then she has had a number of solo exhibitions in Ireland. She has also published Solstice, a collection of photographs from the Connemara-Mayo area, as well as Sweeney’s Flight, a book which features her photographs with Heaney’s poetry. It is no surprise to find her sharing a book with Heaney: her work is poetic, evocative and very beautiful.
To view a selection of her images, follow the books link at her website: http://www.rachelbrownphoto.com/index.html I guarantee you’ll want to buy the books.

The following is a poem from “Sunfire”,it is based based on one of those images, a boy in a farmyard in Donegal.

The Country Child.

The country child
runs in and out of rain showers
like rooms;

sees the snake-patterns in trains,
the sun's sword-play in the hedges
and the confetti in falling elder blossoms;

knows the humming in the telegraph poles
as the hedgerow's voice
when tar bubbles are ripe for bursting;

watches bees emerge
from the caverns at the centres of buttercups,
feels no end to a daisy chain,
feels no end to an afternoon;
walks on ice though it creaks;
sees fish among ripples and names them;

is conversant with berries
and hides behind thorns,
slips down leaves, behind stones;

fills his hands with the stream
and his hair with the smell of hay;
recognizes the chalkiness

of the weathered bones of sheep,
the humour in a rusted fence,
the feel of the white beards that hang there.

The country child
sees a mountain range where blue clouds
are heaped above the horizon,

sees a garden of diamonds
through a hole scraped
in the frost patterns of his bedroom window

and sees yet another world
when tints of cerise and ochre
streak the evening sky.

He knows no end, at night
he sneaks glimpses of Heaven
through the moth-eaten carpet of the sky.

Yeats Exhibition

If you’ve not been to the Yeats Exhibition in the National Library, put it into the diary; it’s excellent.

But isn’t it time the capital offered a large scale exhibition that honoured all the literary figures of Ireland from the bards of old up to Roddy Doyle today. I mean a major, permanent exhibition bringing us on a tour through the literary history of the country.

What a pantheon: Dean Swift, Synge, Sean O’Casey, Beckett, Goldsmith, Brian Friel, Yeats, Joyce, McGahern, George Bernard Shaw, Mangan, Heaney, O’Cadhain, Bram Stoker, Kavanagh, Seán Ó Ríordáin, Maeve Binchy, Wilde, Flann O’Brien, Ó Direáin, Brendan Behan etc. If you also include writers who had significant links with Ireland, or, for example, those whose ancestors were Irish the list becomes nothing short of incredible.

With a cast like that it could change from month to month, changing emphasis, theme whatever. It could incorporate films, filmed dramas in various languages, weird and wonderful adaptions of plays etc. The possibilities are myriad; it could hardly fail to be a success.

Jean-Philippe Goude

I went searching for Jean-Philippe Goude who is credited with the music on the Bosch animation below. It was worth it, check out his website at http://jphgoude.free.fr/indexgb.html

Bosch Animation

If you are a Bosch fan there are some nice compilations of his work on Youtube. You might also search for Bosch animations while you're there; there are two or three worth seeing. This is one of two posted by "visualartslab" which I like, I particularly enjoyed the soundtrack.

Increasing Poetry Readership

When I passed up Manchester United on television to give a poetry reading in the back room, the barman commented, as he pulled his chair closer to the screen, that it was easy to see that I was a poet. I bit my lip; there’s not many things I enjoy more than settling down in front of a good game of football.

But this view of poets, (and similarly for practitioners of other art forms), is extremely common and one that will have to be addressed if we are not to witness the continued shrinkage of the poetry sections in bookshops, readings on radio, indeed its perceived relevance to society in general.

It’s not that there isn’t a fondness for poetry; there is, maybe even more than previously but it’s losing out to other forms of entertainment in the media and no one is going to come to the rescue if those involved don’t.

Elsewhere on this blog I suggested that Poetry Ireland, (since it will take such a central organisation), organise a Poets Corner in Dublin (maybe the first of many throughout the country) where everyone/anyone can stop for 15 minutes to listen and buy poetry. I would suggest that a meeting of interested parties be set up to discuss the initiative and organise as big a kick-start as can be mustered.

Secondly. I was for a time involved in the organisation of poetry competitions for students. I discovered that the prospect of publication in a well-distributed book had greater appeal than prizes and drew in greater numbers of entries. I firmly believe that it is in the student years that readers can be won over to poetry. Is there a possibility that Gallery Press, Dedalus Press, Salmon Press and all the other poetry presses in Ireland, with or without Poetry Ireland, could pool their resources to produce such a publication? It would be very saleable in schools and colleges, seriously crank up their visibility and would be an investment in their own futures.

A Bit about Mee

A recent RTE "Arts Show" featured the American playwright and author Charles Mee.

It was an absorbing interview. I found myself in agreement with his views and will, when I get time, look deeper into his work.I also admired his approach to his own work. He described his borrowing from Greek drama and welcomed all comers to do likewise with his material.He welcomed writers to pilfer from his website (see http://www.charlesmee.org/html/about.html) where he has posted the scripts of his plays.

So if you're looking for ideas for a play where better to start.Wonder would similar work for poets?

Hidden Irish Treasures

Fore, Co Westmeath came to the fore,(couldn’t resist), on radio last week. The conversation widened out to unknown treasures (destinations worth visiting) around Ireland.

Certainly Fore is beautiful and, like Dysert O’Dea, unexploited. To my mind Clonmacnoise has lost its charm, thanks to the powers plonking a visitor centre on top of it. Same at Mellifont Abbey. How nice it was to be able to walk casually and unaccosted into these wonderful places without having to pay. It gave me a sense of pride my country's heritage. Now I feel cordoned off from it, and the admission charges are an imposition on what was, to me, part of the landscape's grandeur like Ben Bulben's escarpment.

No, I’m not against visitor centres, let’s have more of them, but not barring the way into what used to be ours.

So here are a few alternatives which to the best of my knowledge don't charge at the door: Kilmacduagh Abbey near Gort, Monasterboice in Louth, Inis Murray in Sligo, Holy Island on Lough Derg, Jerpoint Abbey in Co Kilkenny, Ballintubber Abbey in Mayo, Abbeyknockmoy in Galway and Duiske Abbey in Graiguenamanagh.

Finally, as a Roscommoner, I can also recommend a visit to Roscommon's 12th century abbey and castle and to the museum in the Square as a very nice way to fill in a day.

poetry on the wall

So, just as I’ve finally got round to pasting all the pictures and photographs that have inspired me over the years onto the walls of my work- room, guess what? The wallpaper’s beginning to fall.

But that aside, to look at the walls is to look at a history of my writing. So there’s Goya and Bacon, Kahlo, Monet, Reichter, Wyeth etc. There’s photographs of war victims next to O’Keeffe’s flowers, a baby being thrown from a burning house beside a holy well and the galician maskers that were the subject of a chapbook that was published some years ago in Galicia. The title of that small book is Felos aínda serra which was published by AMASTRA-N-GALLAR. It contains some wonderful mask illustrations by Charles Cullen and the translations into the galician were done by Sonia Vila Aragunde. There is a photograph elsewhere in this blog of the masks. I’ve yet to see the Felos in real life; it is an ambition.

Google the word peliqueiros in the images search to see what I’m talking about. If you can look at them in black and white they make a radically different impression than they do in colour; this is the way I saw them. And so the poems are dark, much in keeping with the most likely origins of the masks.


My head is an egg shell:
intact, hollow;

abandoned on the ground,
weather leaves its stains.

On the outside I smile that smile
which passers-by notice less and less;

and all I can do
is keep widening it;

wider and wilder,
eventually grotesque.

They flee;
I am left alone.

Cloverhill Church

We had spent the day touring around Mayo and Galway and were now nearly back in Roscommon town when the driver slammed on the breaks and reversed. He took out his camera for the first time that day and took a photo of Cloverhill church at the end of a yew-lined road. I had passed it a hundred times over the years and missed the beauty. It was a useful lesson for a poet, it doesn’t have to be grand-scale to be stunning; Georgia O’Keeffe would have told me that.

I remembered that just as I was about to write about Skellig Michael. Nothing small-scale there, one of the most spectacular places on the planet and a world heritage site. Worth mentioning that this is a good month to go as the puffins will have left Skellig by August.

I was going to post a video from Youtube with this post but it can't be done so I recommend strongly that you check out the video, Georgia O'Keeffe's Flowers; it's worth it. Instead, for a badly needed bit of colour, I'm putting in the Laburnum filling my bedroom window in May; I think Georgia would approve.

Roscommon Anthology

Well, today marked the first day of real work on a Roscommon Literary Anthology. A number of meetings, some useful contacts made, and names to follow up on. A member of Roscommon Library for the first time in ** ( not tellen) years and the map ahead is becoming clear. Clearer too for having verbalised the whole plan to a number of people and got their initial and very positive reaction. The list of possible authors takes firmer shape in my head, and lists are materialising in my hands. It’s exciting.

A bit of good luck too: met by good chance an avid collector of Roscommon books, documents, ephemera etc. A lot of this material can be seen at http://www.roscommonhistory.ie/ It’s a very interesting website which I’m looking forward to exploring and at first glance can recommend strongly to anyone with a fondness for the county.

Window with a view

With June comes the most spectacular skyscapes. The sun vies with angry graphite clouds for show-time. For a moment a mushroom with a white heart like a nuclear explosion dominates the sky. The sun breaks through, as quickly disappears again. South Donegal, Donegal Bay, Sligo, even Mayo, (Nephin in the far distance), opens and closes. Wispy grey showers sweep along Ben Bulben’s shoulders.

There is a broad window on the west side of the house which is full of this ever-changing panorama from dawn till dusk. It is breath-taking.

Dublin's Poets Corner

There used to be free outdoor poetry readings outside the Scottish Poetry Library just off the Royal Mile in Edinburgh each afternoon during the Summer season. I think they were open readings, at least that’s how I remember them; its a few years ago now. Anyway they were, to my mind, a very attractive addition to the joys of Edinburgh summer afternoons.

I remember thinking, when Poetry Ireland was based in Dublin Castle, that similar readings could have been quite successful there or, since then, on the Grafton St corner of Stephen's Green.I know free summertime readings in themselves are nothing new, it’s the location that’s important. I also think that over the Summer season a number of poets might give their time to man/woman a stall of publications for sale while the readings were in progress. It could rotate between the different publishing presses or different bookshops.

Sponsorship from Dublin City Council(since Dublin's tourism is all about its writers), a colourful canopy over the books, a built up reputation as Poets Corner, etc etc.(Maybe it has been suggested and shot down already). It needs an organisation like Poetry Ireland to set up, then I would volunteer.

Johnson's Cabinet Still Full

“I believe that this War, upon which I entered as a war of defence and liberation, has now become a war of aggression and conquest…………………………………………………

I have seen and endured the sufferings of the troops, and I can no longer be a party to prolonging those sufferings for ends which I believe to be evil and unjust.

I am not protesting against the military conduct of the War, but against the political errors and insincerities for which the fighting men are being sacrificed………………...………”

Words written by Siegfried Sassoon in his “A Soldier’s Declaration”, a statement he penned as “an act of willful defiance of military authority”. How tired would he be by now of the “political errors and insincerities” that continuously stream through the media and which have cost the lives of millions since his death in 1967.

Mention of this reminds me of Robert Bly’s “Johnson’s Cabinet Watched by Ants”; it can be read at http://encarta.msn.com/sidebar_1741502525/johnson%E2%80%99s_cabinet_watched_by_ants_by_robert_bly.html