you build the fire
and I will show you something wonderful:
a big ball of snow!
(Basho 1686)
I have separated this from its prose-written context, but what I love is that it's a gentle explosion. Like all good haiku, the spare writing creates space for the reader to wander in; it’s all subtlety. How I wish I could achieve the same.
Poetry by Irish poet Michael O'Dea. (poems © Michael O’Dea, Dedalus Press, Amastra-n-Galar, Lapwing Publications)
Friday, January 8, 2010
Tuesday, December 22, 2009
A Memory of Ireland Past
Since Christmas brings us back to family,loved ones and our memories of those who are gone, I thought I'd post this memory. It was another time, the mid-sixties.(from "Sunfire")
Visiting the Corsetmaker.
Miss Gately, you know, the corsetmaker; her cottage thatched and whitewashed beneath sycamores ragged with crows and their bickering.
A Sunday afternoon, my mother walking to the red door and it opened and closed and nothing else stirring for ages but ourselves in the back of the white consul with the red roof at the end of the avenue, just outside the gate;stone walls and lichen patches wallpapering our afternoon.Father dropping off in the driver’s seat while Micheal O'Hehir commentated on matches, one after another, without ever taking a breath in all that pipe smoke; matches collecting in the ash-tray all burnt to tiny black bird bones and the condensation all used up with words and faces dribbling pathetically into shapeless bad temper. Over and over: will she ever come out, can’t we go now,why do we always have to come, move your legs; till eventually she would reappear, a slap in the doorway, motor jauntily, red-headed,back to the car like it’s been five minutes or something, and Dad’s awake, reversing from the gate, back into the remains of a Sunday afternoon.
And I never knew what went on in there; never saw who opened the door,never saw a package, never heard anything about it. My father didn’t know either. I remember she took my sister with her when my sister was in secondary school;I wouldn’t have wanted to join them anyway,it was obviously a woman’s house.
Visiting the Corsetmaker.
Miss Gately, you know, the corsetmaker; her cottage thatched and whitewashed beneath sycamores ragged with crows and their bickering.
A Sunday afternoon, my mother walking to the red door and it opened and closed and nothing else stirring for ages but ourselves in the back of the white consul with the red roof at the end of the avenue, just outside the gate;stone walls and lichen patches wallpapering our afternoon.Father dropping off in the driver’s seat while Micheal O'Hehir commentated on matches, one after another, without ever taking a breath in all that pipe smoke; matches collecting in the ash-tray all burnt to tiny black bird bones and the condensation all used up with words and faces dribbling pathetically into shapeless bad temper. Over and over: will she ever come out, can’t we go now,why do we always have to come, move your legs; till eventually she would reappear, a slap in the doorway, motor jauntily, red-headed,back to the car like it’s been five minutes or something, and Dad’s awake, reversing from the gate, back into the remains of a Sunday afternoon.
And I never knew what went on in there; never saw who opened the door,never saw a package, never heard anything about it. My father didn’t know either. I remember she took my sister with her when my sister was in secondary school;I wouldn’t have wanted to join them anyway,it was obviously a woman’s house.
Saturday, December 19, 2009
Copenhagen Failure
Calculations show that the average Chinese person uses, more or less, the sustainable level of environmental resources for the maintenance of the world’s current population size; the average European uses double what’s sustainable and the typical American uses a whooping four times this.(from the BBC).
Obviously our western lifestyle is highly destructive to the planet. Our championing of human rights does not extend to our grandchildren. The damage continues, and our leaders have left Copenhagen without a treaty.
I read Obama has suggested a $10 billion per annum package for climate change when there's a $700 billion defence budget.What environmental damage is wrought by bombs and warfare, not to mention chasing fictitious weapons of mass destruction.Basic ecology teaches us that a human footstep affects the balance in a habitat.
Interference.
A fish is dreaming,
elbow deep.
With my fingertip
I draw a herring-bone
across his heaven;
he bolts.
Now the lake dreams,
empty like a canyon.
Obviously our western lifestyle is highly destructive to the planet. Our championing of human rights does not extend to our grandchildren. The damage continues, and our leaders have left Copenhagen without a treaty.
I read Obama has suggested a $10 billion per annum package for climate change when there's a $700 billion defence budget.What environmental damage is wrought by bombs and warfare, not to mention chasing fictitious weapons of mass destruction.Basic ecology teaches us that a human footstep affects the balance in a habitat.
Interference.
A fish is dreaming,
elbow deep.
With my fingertip
I draw a herring-bone
across his heaven;
he bolts.
Now the lake dreams,
empty like a canyon.
Sunday, December 6, 2009
Sure Sight
The following, a love poem from "Turn Your Head"
Sure Sight
I see
pearl-like
dawn
in
your face
a desolate
blue
yonder
in
your irises
the wash
of slivered
moonlight
in
your smile
I know of
nowhere
less trodden
more
perfect
I contract
to be
forever
an explorer
in that universe.
Sure Sight
I see
pearl-like
dawn
in
your face
a desolate
blue
yonder
in
your irises
the wash
of slivered
moonlight
in
your smile
I know of
nowhere
less trodden
more
perfect
I contract
to be
forever
an explorer
in that universe.
Labels:
"Dedalus Press",
"love poem",
"Turn Your Head"
Tuesday, December 1, 2009
"Mullingar Scribblers "
In passing, I visited the Scribblers' regular Monday night session in the Annebrook Hotel recently and was greatly impressed by the work they do. They have just launched a new collection of their writings "Mullingar Scribblers, Poems and Stories Volume 4".
If you are interested in writing in the Mullingar area, they are definitely worth seeking out.
If you are interested in writing in the Mullingar area, they are definitely worth seeking out.
Poetree
Poetree. No, not poor spelling but a sculpture of a bronze tree with letters for leaves graces the cover of SHOp 31, a poetry magazine that exemplifies the best in poetry publication standards in this country. Don’t just take it from me:
'First class goods, beautifully presented. Congratulations from this confirmed SHOp-lifter.'
Seamus Heaney
'Unquestionably the most beautiful poetry magazine now in existence.'
Bemard O'Donoghue
But it’s hard times for such publications. Grants have been cut back, “and we are warned that the situation is likely to be worse in 2010” says the editor of the SHOp.
So here’s my blog, resuscitated to suggest that if you love poetry and if you want something with a bit style and imagination to put in a Christmas stocking, SHOp 31 is just out,(and it's just one of many hard-pressed poetry magazines). It’s beautiful, it's worthy and it’s good value.
(Poetree was sculpted by David McGlynn)
'First class goods, beautifully presented. Congratulations from this confirmed SHOp-lifter.'
Seamus Heaney
'Unquestionably the most beautiful poetry magazine now in existence.'
Bemard O'Donoghue
But it’s hard times for such publications. Grants have been cut back, “and we are warned that the situation is likely to be worse in 2010” says the editor of the SHOp.
So here’s my blog, resuscitated to suggest that if you love poetry and if you want something with a bit style and imagination to put in a Christmas stocking, SHOp 31 is just out,(and it's just one of many hard-pressed poetry magazines). It’s beautiful, it's worthy and it’s good value.
(Poetree was sculpted by David McGlynn)
Monday, September 14, 2009
Brian Henderson
This short film on Brian Henderson directed by Shane Dignam was posted on YouTube. Brian Henderson is an Irish artist who made a name for himself very early in his career. A member of Aosdana, he spent a number of years in New York and became very familiar with the art and music scenes there. These have influenced him.
His work reflects his open-mindedness: abstract, he works free-form, very much following his own lights.
Though now back in his home town Dublin, I suspect his escape from Ireland helped to free him from the limitations of the smaller scene that existed here in the seventies and eighties. His current exhibition continues in the Taylor Galleries on Kildare Street till Sept 19th.
His work reflects his open-mindedness: abstract, he works free-form, very much following his own lights.
Though now back in his home town Dublin, I suspect his escape from Ireland helped to free him from the limitations of the smaller scene that existed here in the seventies and eighties. His current exhibition continues in the Taylor Galleries on Kildare Street till Sept 19th.
Labels:
"Dublin artist",
"Rathmines",
"Taylor Galleries"
Tuesday, September 8, 2009
17 syllables
and that's where the similarity with haiku ends, written on a bad day:
Heart, empty hangar
but for a step-ladder
and a bucket of oil.
Heart, empty hangar
but for a step-ladder
and a bucket of oil.
Haiku
Tranlations from 3 Japanese masters. Love the delicacy.
No sky
no earth - but still
snowflakes fall (Hashin)
Come out to view
the truth of flowers blooming
in poverty (Basho)
Walking on dishes
the rat’s feet makes the music
of shivering cold (Buson)
More at http://www.geocities.com/alanchng1978/basho.html
http://www.toyomasu.com/haiku/
No sky
no earth - but still
snowflakes fall (Hashin)
Come out to view
the truth of flowers blooming
in poverty (Basho)
Walking on dishes
the rat’s feet makes the music
of shivering cold (Buson)
More at http://www.geocities.com/alanchng1978/basho.html
http://www.toyomasu.com/haiku/
Sunday, September 6, 2009
Heights of Passion

It’s a long time since I read Wuthering Heights. The recent ITV mini-series was excellent, it portrayed the passion between Heathcliff and Cathy about as well as I think it could be done.
The obsession and violence, violence to gentleness, love. I think passion comes straight from our spiritual selves, that slew of forces we normally skate above, unleashed. And so I think the psychic connection between the two is a phenomenon that does exist. I also think the violence that one would expect should be abhorrent is an essential part of the experience. Having freed the beast that is passion, both see it as part of what is their shared and very naked entwinement of a life, and very much part of how they can feel what they share. Intense shows of affection and loving become very close to violence. To be less is not to be experiencing life at all. (Well that’s my stand on the matter.)
What’s interesting is that Emily Bronte had such a handle on it. But she had a short life, 1818–1848, which never got old enough to be a tired life or a cynical one. She had the isolation to free up her imagination, the environment to be acquainted with people and nature that were far from tamed, the experience of her older brother’s lack of discipline and his dying, a father who encouraged their imaginations and left them to their own devices. And if they were away from the hurly-burly of city life maybe it was a case of still waters run deep.
Wednesday, September 2, 2009
All-Ireland Poetry Day 2009
1st October. Poetry events all over the country. For a county by county guide go to http://www.poetryireland.ie/poetryday/
I would like to think that this day would be used to tap into a new audience for poetry, hopefully it will. Certainly many fine poets are on the road, Ciaran Carson, Peter Fallon, Vona Groarke, Francis Harvey, Theo Dorgan, Nuala Ní Dhomhnaill; too many to name. And there are readings at times that may attract a different clientele. It would be nice to see evening readings in those areas where the current listings are for working hours. I myself would have liked to get to something in the Dublin/Kildare area but the times don’t suit.
And it would be nice to see more readings by established poets alternating with open mike sessions; to give all enthusiasts (and their families and friends)a day out. In this regard I like Leitrim’s offering which takes place in The Dock, Carrick-on-Shannon: Dermot Healy earlier on, later in the day there's local poets and music, and that's a attractive mix.Kildare's Q&A for 2nd level schools is a nice touch, (I've always believed the greatest potential for growing a poetry audience is in 2nd level schools), and Galway’s poetry competition with theme 'EYRE SQUARE' for the residents of the county hits the point of the day squarely.
That bit extra – you can’t beat the West !
I would like to think that this day would be used to tap into a new audience for poetry, hopefully it will. Certainly many fine poets are on the road, Ciaran Carson, Peter Fallon, Vona Groarke, Francis Harvey, Theo Dorgan, Nuala Ní Dhomhnaill; too many to name. And there are readings at times that may attract a different clientele. It would be nice to see evening readings in those areas where the current listings are for working hours. I myself would have liked to get to something in the Dublin/Kildare area but the times don’t suit.
And it would be nice to see more readings by established poets alternating with open mike sessions; to give all enthusiasts (and their families and friends)a day out. In this regard I like Leitrim’s offering which takes place in The Dock, Carrick-on-Shannon: Dermot Healy earlier on, later in the day there's local poets and music, and that's a attractive mix.Kildare's Q&A for 2nd level schools is a nice touch, (I've always believed the greatest potential for growing a poetry audience is in 2nd level schools), and Galway’s poetry competition with theme 'EYRE SQUARE' for the residents of the county hits the point of the day squarely.
That bit extra – you can’t beat the West !
Thursday, August 27, 2009
Wearing Masks
Masks are so often associated with fun; a carnival performer wears a mask, but so does the burglar, the salesman, teacher, etc....... Recognizing and understanding masks is essential for survival. This from Felos ainda serra
Everyone imagines him friendly
because his mask has that huge smile;
that wide, bright, unflinching smile.
He moves close into my face;
alone with this cardboard fiction
I feel him watching through his spy-holes.
I do not like masks, the smiling ones least;
he smells my unease;
I see that it is not a smile.
Everyone imagines him friendly
because his mask has that huge smile;
that wide, bright, unflinching smile.
He moves close into my face;
alone with this cardboard fiction
I feel him watching through his spy-holes.
I do not like masks, the smiling ones least;
he smells my unease;
I see that it is not a smile.
Monday, August 24, 2009
Angry Ex-capitalist
A friend and I used to argue the merits of capitalism/socialism, he being very much in favour of the former. He shot upwards quickly, but at a point in this rise (well into management) found himself not quite at home with the mindset and his career went into reverse. I never said I told you so and, of course, I could never tell him the following poem was about him.
Mind you, people have a very bad memory when it comes to hiccups in their political thinking.A communist I know completely dis-remembered that he had justified Stalin's violent methods after the Soviet system collapsed; and those that trumpeted the victory of capitalism at that time, have been very silent about the current breakdown in their runaway capitalism system.C'est la vie!
This poem was in my second collection "Turn Your Head"
Angry
Among the blocks of the establishment;
a flawless rise bolted your trust;
success was cement,
all loose notions were pebble-dashed.
Now you revise:
the establishment, its self-righteous system:
how many bodies like you
have fallen from the sides to point the pyramid ?
And how many times did you skate over principles,
that I remember, you once held dearly?
Mind you, people have a very bad memory when it comes to hiccups in their political thinking.A communist I know completely dis-remembered that he had justified Stalin's violent methods after the Soviet system collapsed; and those that trumpeted the victory of capitalism at that time, have been very silent about the current breakdown in their runaway capitalism system.C'est la vie!
This poem was in my second collection "Turn Your Head"
Angry
Among the blocks of the establishment;
a flawless rise bolted your trust;
success was cement,
all loose notions were pebble-dashed.
Now you revise:
the establishment, its self-righteous system:
how many bodies like you
have fallen from the sides to point the pyramid ?
And how many times did you skate over principles,
that I remember, you once held dearly?
Friday, August 21, 2009
Yes, 1971
Still one of my favourite albums, The Yes Album, from 1971. Still sounds fresh, from the soaring exciting opening of "Your's is no Disgrace" through "The Clap" (I love the way they go into it) and then onto this, "Starship Trooper".
Magnificent musicians.I prefer this album to their others. If you don't know them, have a listen on YouTube with volume up high; I think it's among the best from that time.(t'was my grandparents put me onto to them, by the way ;)
Magnificent musicians.I prefer this album to their others. If you don't know them, have a listen on YouTube with volume up high; I think it's among the best from that time.(t'was my grandparents put me onto to them, by the way ;)
Labels:
" Best of Yes",
" Yes Album",
"Best music from 1971"
Monday, August 17, 2009
Cycling in Alsace
In nicer to be in the view rather than looking it. It surprised a number of people here that we didn't rent a car, but that's what happens; you drive from beautiful town to beautiful town, passing all the time more beautiful countryside. So when we heard there were mountain bikes, Catherine and I decided: no car. In the event we have been brought to some of the more alluring 'car' destinations by our very kind and friendly neighbours here in Rosheim, not far from Strasbourg.
The countryside is charming; my abiding impression will be of red-roofed villages scattered across a quilt-work of green and yellow fields beneath the dark-wooded Vosges mountains. But I am so impressed by the freedom to roam among the corn and vine fields along the thousands of miles of chemins that are a lacework on this part of France.
How nice this would be in Ireland where many people have given up cycling, driven off the roads by speeding cars. Frankly it's time, now that so much of the population is urbanised, that country rights of way were identified and put into service for this purpose.
Anyway, that said, Alsace has impressed me; I'm trying out the white wines with enthusiasm, enjoying the Tart Flambees and warmth, sweet sunshine.
The countryside is charming; my abiding impression will be of red-roofed villages scattered across a quilt-work of green and yellow fields beneath the dark-wooded Vosges mountains. But I am so impressed by the freedom to roam among the corn and vine fields along the thousands of miles of chemins that are a lacework on this part of France.
How nice this would be in Ireland where many people have given up cycling, driven off the roads by speeding cars. Frankly it's time, now that so much of the population is urbanised, that country rights of way were identified and put into service for this purpose.
Anyway, that said, Alsace has impressed me; I'm trying out the white wines with enthusiasm, enjoying the Tart Flambees and warmth, sweet sunshine.
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