Loads of different, weird and wonderful music to be found on the web. Search YouTube for animusic, magic music machine, weird/strange/unusual (musical) instruments etc. No better way to send your mind in a new direction. I think you’ll enjoy these.
Animusic
Waterphone
Ice Instruments
And that takes me neatly to a poem of mine published in an Irish number of a Belgian poetry magazine, “de brake hond 76”,published in 2002, edited by Nessa O’Mahony, which featured ice musicians.
The Beginning of Science
Long before Saint Patrick,
leather-footed musicians
would keyhole dawn
to catch the sun in ice candles.
They played those flames on strings,
their spikes of sound,
for children’s whistling eyes and lunatics
who, in their distance danced.
Fire caged in ice, ice in their hands;
music lit from within.
Ambition began;
separation became a beauty.
Poetry by Irish poet Michael O'Dea. (poems © Michael O’Dea, Dedalus Press, Amastra-n-Galar, Lapwing Publications)
Wednesday, October 26, 2011
Monday, October 24, 2011
Suddenly......................
(in memory of Michael Martin)
the stack of papers in the staff room belongs to the past,
the word ‘remember’ keeps cropping up in our conversations
with the cream cakes, jacket pockets lined with biros,
floppy discs abandoned beside the computer.
Suddenly our memories are linked. A day will come
when one of us meeting another on a street will say
“Do you remember ?” and be answered ”Yes. Yes, I do.”
and for a moment the two will be one.
Suddenly “enjoy your summer” also means
“come back well. It matters.”
And some I would wish to kiss good-bye,
for our shared past, for the times we are one.
the stack of papers in the staff room belongs to the past,
the word ‘remember’ keeps cropping up in our conversations
with the cream cakes, jacket pockets lined with biros,
floppy discs abandoned beside the computer.
Suddenly our memories are linked. A day will come
when one of us meeting another on a street will say
“Do you remember ?” and be answered ”Yes. Yes, I do.”
and for a moment the two will be one.
Suddenly “enjoy your summer” also means
“come back well. It matters.”
And some I would wish to kiss good-bye,
for our shared past, for the times we are one.
Thursday, October 20, 2011
Two poems on Life Passing
The first by Charles Kingsley has all the maudlin excess that has killed off so much of 19th century poetry for the modern reader. It was learned in primary school from one of the “Young Irish Reader” series that was the staple for countless “Christian Brothers’ boys” back in the sixties and before. Looking at it now, it seems a cause for jumping.
Young and Old
by Charles Kingsley
WHEN all the world is young, lad,
And all the trees are green ;
And every goose a swan, lad,
And every lass a queen ;
Then hey for boot and horse, lad,
And round the world away ;
Young blood must have its course, lad,
And every dog his day.
When all the world is old, lad,
And all the trees are brown ;
And all the sport is stale, lad,
And all the wheels run down ;
Creep home, and take your place there,
The spent and maimed among :
God grant you find one face there,
You loved when all was young.
Then secondary school, and some excellent English text books including “Exploring English” 1, 2 and 3 (Gus Martin’s anthologies) for Inter Cert followed by the recently republished “Soundings” for Leaving Cert poetry. And there was the poem that I think I can call my favourite of all, “Fern Hill”. (When you’ve got the house to yourself, dig it out read it out loud and clear; the only way to do justice to this poem.)
from Fern Hill by Dylan Thomas
And as I was green and carefree, famous among the barns
About the happy yard and singing as the farm was home,
In the sun that is young once only,
Time let me play and be
Golden in the mercy of his means,
And green and golden I was huntsman and herdsman, the calves
Sang to my horn, the foxes on the hills barked clear and cold,
And the sabbath rang slowly
In the pebbles of the holy streams.
…………………………. And final stanza
Nothing I cared, in the lamb white days, that time would take me
Up to the swallow thronged loft by the shadow of my hand,
In the moon that is always rising,
Nor that riding to sleep
I should hear him fly with the high fields
And wake to the farm forever fled from the childless land.
Oh as I was young and easy in the mercy of his means,
Time held me green and dying
Though I sang in my chains like the sea.
The full poem is on page http://www.poetseers.org/contemporary_poets/modern_poets/dylan_thomas_poems/fern_hill/
Young and Old
by Charles Kingsley
WHEN all the world is young, lad,
And all the trees are green ;
And every goose a swan, lad,
And every lass a queen ;
Then hey for boot and horse, lad,
And round the world away ;
Young blood must have its course, lad,
And every dog his day.
When all the world is old, lad,
And all the trees are brown ;
And all the sport is stale, lad,
And all the wheels run down ;
Creep home, and take your place there,
The spent and maimed among :
God grant you find one face there,
You loved when all was young.
Then secondary school, and some excellent English text books including “Exploring English” 1, 2 and 3 (Gus Martin’s anthologies) for Inter Cert followed by the recently republished “Soundings” for Leaving Cert poetry. And there was the poem that I think I can call my favourite of all, “Fern Hill”. (When you’ve got the house to yourself, dig it out read it out loud and clear; the only way to do justice to this poem.)
from Fern Hill by Dylan Thomas
And as I was green and carefree, famous among the barns
About the happy yard and singing as the farm was home,
In the sun that is young once only,
Time let me play and be
Golden in the mercy of his means,
And green and golden I was huntsman and herdsman, the calves
Sang to my horn, the foxes on the hills barked clear and cold,
And the sabbath rang slowly
In the pebbles of the holy streams.
…………………………. And final stanza
Nothing I cared, in the lamb white days, that time would take me
Up to the swallow thronged loft by the shadow of my hand,
In the moon that is always rising,
Nor that riding to sleep
I should hear him fly with the high fields
And wake to the farm forever fled from the childless land.
Oh as I was young and easy in the mercy of his means,
Time held me green and dying
Though I sang in my chains like the sea.
The full poem is on page http://www.poetseers.org/contemporary_poets/modern_poets/dylan_thomas_poems/fern_hill/
Monday, October 17, 2011
From Kailas down to the Erne Estuary
From under the rag tree the world looks a kinder place.The dancing dreams and prayers of pilgrims are reminders of human soul before hopes and wishes became more pocket-dependent.
Rag Tree
A thousand dances for Patrick’s stone eyes:
leg-kicking
heel-tapping
thigh-slapping;
each rag a soul treading thin air.
A thousand advances on Patrick’s stone ears:
tongue-clicking
finger-snapping
hand-clapping;
each petition a guttering flare.

On The Slopes of Kailas
There are no
january pilgrims
On the slopes
of Kailas.
Buddha squats
oblivious
In his brilliant
white universe.
Ice-rigid
prayer rags
Dream away
the off-season.
Rag Tree
A thousand dances for Patrick’s stone eyes:
leg-kicking
heel-tapping
thigh-slapping;
each rag a soul treading thin air.
A thousand advances on Patrick’s stone ears:
tongue-clicking
finger-snapping
hand-clapping;
each petition a guttering flare.
On The Slopes of Kailas
There are no
january pilgrims
On the slopes
of Kailas.
Buddha squats
oblivious
In his brilliant
white universe.
Ice-rigid
prayer rags
Dream away
the off-season.
Sunday, October 16, 2011
The Tide's High Blood Mark.
(Before The Firing Squad)
Ready
The sun's tide
is licking me.
Aim
In one eye-full I have examined every brick,
seen the crack in that window,
the wasp on the flag
and still felt the sun
and heard the voice right down
to the bubble on his vocal cords.
Fire
The sun traveled its 93 million miles,
Threw my shadow against the bricks.
My shadow stretched
My shadow stretched
My shadow stretched
And the sun said
That my shadow was as tall and slender
As any wave that ever rose
That ever rose out of the full tide
Climbed and stretched its arms
Over the bricks of this barracks wall.
Ready
The sun's tide
is licking me.
Aim
In one eye-full I have examined every brick,
seen the crack in that window,
the wasp on the flag
and still felt the sun
and heard the voice right down
to the bubble on his vocal cords.
Fire
The sun traveled its 93 million miles,
Threw my shadow against the bricks.
My shadow stretched
My shadow stretched
My shadow stretched
And the sun said
That my shadow was as tall and slender
As any wave that ever rose
That ever rose out of the full tide
Climbed and stretched its arms
Over the bricks of this barracks wall.
Wednesday, October 12, 2011
1960’s Ireland
If, like me, you enjoy occasional immersions in nostalgia, you might well enjoy visiting the John Hinde Collection - Postcard Archive. Postcards from many countries and all the old favourites from Ireland.For a journey to the past go to: http://www.johnhindecollection.com/johnhindecategories.html

It was the time of Afton and Albany,
Joe O’Neill’s band and the Adelaides,
hay forks sharing pub windows
with Daz and Persil; the Smithwicks sign,
the Harp sign, half-ones of Guinness.
It was a time of pipe-smoking
beneath naked bulbs and neon strips,
the priest in his cassock,
Hillman Hunters, Ford Corsairs,
Wilkinson Swords and Fruit Gums.
Of scarved heads at mass,
the Messenger and the Far East,
dress makers and blacksmiths;
hollowed faces in the County Home,
yanks in the sitting room.

It was the time of Afton and Albany,
Joe O’Neill’s band and the Adelaides,
hay forks sharing pub windows
with Daz and Persil; the Smithwicks sign,
the Harp sign, half-ones of Guinness.
It was a time of pipe-smoking
beneath naked bulbs and neon strips,
the priest in his cassock,
Hillman Hunters, Ford Corsairs,
Wilkinson Swords and Fruit Gums.
Of scarved heads at mass,
the Messenger and the Far East,
dress makers and blacksmiths;
hollowed faces in the County Home,
yanks in the sitting room.
Monday, October 10, 2011
The Colour of Launguage
The repeated use of colours in this, not so recent, poem came after reading Vincent Woods’ excellent collection “The Colour of Language” (Dedalus Press, 1994). The device opens up a whole new palette of possibilities for unmoored expression, the colours, (excuse me for saying), add colour to what have been a very dull love poem and I think they add a richness that would have been, otherwise, difficult to achieve. I’m not sure how appropriate it is to be so praising of my own work, but I was happy with this poem.
And now a re-reading of Woods’ collection seems well overdue.
The fields, green with snow
under an apple blue sky;
you, brimming
winter’s brightness,
turning cartwheels;
your whole body grinning.
The silver trees of our breathing
in full flower;
my golden happiness
in being with you
till the shafts of shadow
turned purple at sunset;
and our hours together
colourless at parting.
And now a re-reading of Woods’ collection seems well overdue.
The fields, green with snow
under an apple blue sky;
you, brimming
winter’s brightness,
turning cartwheels;
your whole body grinning.
The silver trees of our breathing
in full flower;
my golden happiness
in being with you
till the shafts of shadow
turned purple at sunset;
and our hours together
colourless at parting.
Monday, October 3, 2011
Homeless
I wonder will anyone remember the man I'm describing here; he was a familiar sight at one time in south Dublin.
Homeless
Wind-sharpened,
rain-carved,
frost-forged face.
Glacier-blue,
mica-bright,
tarn-deep irises.
Water-fallen,
mountain-tumbled,
bog-cotton hair.
Cumulus-tongued,
squall-mouthed,
shadow man.
Homeless
Wind-sharpened,
rain-carved,
frost-forged face.
Glacier-blue,
mica-bright,
tarn-deep irises.
Water-fallen,
mountain-tumbled,
bog-cotton hair.
Cumulus-tongued,
squall-mouthed,
shadow man.
Wednesday, September 28, 2011
Too Far !!

Tom Stoddart’s disturbing photograph of greed, as a starving Sudanese boy watches his bag of food being stolen by a man with a stick. Fortunately the camera didn’t catch us: sympathetic, very wealthy, but too far away, much too far away; maybe 6 hours flying from London!
(As a point of information, in 2008 the cost of one B-52 bomber was approx $2.2 billion; potential to carry 31,500kilograms ordnance - 45 bombs. It could do the above journey more quickly than above and wouldn't need refuelling before return.)
Labels:
"bag of food",
"Tom Stoddart",
photographer,
starving,
Sudan
Friday, September 23, 2011
LADY'S ISLAND.

Our Lady's Island in Co. Wexford has a special atmosphere to it. Like many places of pilgrimage, christian or pre-christian, its topography is distinctive and interesting. An island in a lagoon,(appears more like an inland lake); add to that some striking ruins,(Augustinian priory and Norman tower), outdoor furniture needed for crowds of pilgrims, quirky mementoes left by pilgrims, and you've got a place that cuts a dash in the landscape and draws the curious in.
LADY'S ISLAND.
The water waves roll ashore in Hail Mary rhythms,
winds come, contours around the island
and speakers on poles are abandoned mouths
where rosaries of sinners collected in May.
Pews like pricked ears; regiment readiness;
oh Mary, you sure pick your locations!
In a hole in a ditch a community of holy ones
fancy dressed and frozen by a wall;
and all encased in glass, ready to shake
but snowless in July.
Best wishes, see you Monday,
Michael
Monday, September 19, 2011
More FREE Laughter Yoga
18.30 – 19.30, Tuesday 27th September, in the Swan Centre,(opposite The Hopsack), Rathmines.As before bring a towel or yoga mat and a willingness to laugh.
And for a paltry €40 or €5 drop in: Tuesday evenings in the Travel Lodge Hotel, Rathmines from Tuesday 4th October for 10 weeks.
For more information (www.laughteryogadublin.com ) and booking for the Swan Centre Free event and the Travel Lodge sessions contact me at info@laughteryogadublin.com, or 085 707 4465 / 01 4922892
The Laughter Yoga Movement was started in 1995 by Dr Madan Kataria; an initial session with just 5 people in a Mumbai park has since mushroomed into a global movement with over 6,000 clubs in 60 countries.
Just last week came the report: “a research team led by evolutionary anthropologists from Oxford University in the UK has concluded that the endorphins released by a big belly laugh in a social setting can make pain more bearable.” Noting that laughter was more likely in groups, it was reported that “Laughing with friends for around 15 minutes boosts a person’s pain threshold by an average of 10.”
The paper, entitled “Social laughter is correlated with an elevated pain threshold” was published in the journal Proceedings of the Royal Society B.
And for a paltry €40 or €5 drop in: Tuesday evenings in the Travel Lodge Hotel, Rathmines from Tuesday 4th October for 10 weeks.
For more information (www.laughteryogadublin.com ) and booking for the Swan Centre Free event and the Travel Lodge sessions contact me at info@laughteryogadublin.com, or 085 707 4465 / 01 4922892
The Laughter Yoga Movement was started in 1995 by Dr Madan Kataria; an initial session with just 5 people in a Mumbai park has since mushroomed into a global movement with over 6,000 clubs in 60 countries.
Just last week came the report: “a research team led by evolutionary anthropologists from Oxford University in the UK has concluded that the endorphins released by a big belly laugh in a social setting can make pain more bearable.” Noting that laughter was more likely in groups, it was reported that “Laughing with friends for around 15 minutes boosts a person’s pain threshold by an average of 10.”
The paper, entitled “Social laughter is correlated with an elevated pain threshold” was published in the journal Proceedings of the Royal Society B.
Wednesday, September 14, 2011
Most Poetic Painter

Marc Chagall is the most poetic of painters. I think you can immerse yourself in the images without knowing their references. His beautiful colours, the floating dreamlike nature of his characters, the sensual depiction of lovers, the gentleness and sometimes homeliness; the possibilities for varying interpretations. To stay with them awhile can be just enough to start a new poem. Thanks to uploader Yaellavie for the video below.
Labels:
"Marc Chagall",
"poetic art",
"poetry in painting"
Monday, September 12, 2011
To Say That You Are Beautiful
The sunlight on the back of your neck,
ear-lobes and hair;
the page-reflected glow on your chin,
dimming upward towards your forehead;
all else in darkness around you.
If I’d never seen that you are beautiful;
that day, the light that chose to steal up behind you,
to settle on you so gently but dazzlingly;
that light would have been light enough.
ear-lobes and hair;
the page-reflected glow on your chin,
dimming upward towards your forehead;
all else in darkness around you.
If I’d never seen that you are beautiful;
that day, the light that chose to steal up behind you,
to settle on you so gently but dazzlingly;
that light would have been light enough.
Wednesday, September 7, 2011
The Yellow Rose
The Yellow Rose.
for Alan Biddle
(1952-1994).
When his eyes had shut for good
and his face was just a face,
and conversation had slowed
to the ebb and flow of memories
speaking among themselves,
a small gesture recast the day.
She placed a yellow rose on his chest
over the picture of the Sacred Heart.
The gentleness of that moment;
the single rose: how well chosen;
how well she chose it.
His face: changed, full of ease
as through all his illness,
but death had sculpted warmth away.
His eyes shut against us,
fingers tangled up in rosary beads;
I'll remember him alive
or remember the rose when he was dead.
for Alan Biddle
(1952-1994).
When his eyes had shut for good
and his face was just a face,
and conversation had slowed
to the ebb and flow of memories
speaking among themselves,
a small gesture recast the day.
She placed a yellow rose on his chest
over the picture of the Sacred Heart.
The gentleness of that moment;
the single rose: how well chosen;
how well she chose it.
His face: changed, full of ease
as through all his illness,
but death had sculpted warmth away.
His eyes shut against us,
fingers tangled up in rosary beads;
I'll remember him alive
or remember the rose when he was dead.
Friday, September 2, 2011
Breathing
Now my father's life
is breathing.
Heavy work.
He has already slipped away
to be alone
while we outside
mark every breath
like lap timers.
Now come the spaces:
a breath
is an isolated thing.
Finally one breath
arrives alone.
I feel a soul has left,
but just then
I see, so clearly,
it was hope
that slipped out of the room.
Labels:
"death of a parent",
"father's death"
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