Sunday, July 3, 2016

Memories of Galway

It's a  lifetime ago. I mean I wrote this poem a lifetime ago. My student-life in Galway, well that's two lifetimes ago. But this poem does catch my Galway. 

Do I still have a soft spot for that city: no, I don't think so. Happiest memories so rooted in their time and place, that the place can never live up to them. Best to leave those locations shimmering as they do in your head. 


From Galway


1.

At half past five we cracked dawn on the Salmon Weir,
swished the rose-coloured sky around our eyes,
clinked our voices.
Then on down College Road like circus folk,
past Johnny Ward's, past the university
where the crows were blowing the ears off the trees,
past the Regional and Kelehan's
and on out to Salthill to shine out loud with the ocean.               
  
2.
I remember Galway's soft drizzle,
each droplet carrying an atom of perfume
from the Glenard garden hedges.
My night-time walks in  that lazy spray:
onto Threadneedle Road,  down to the prom,
out onto the diving board at Blackrock.
Then the palm of mist along my cheek;
the tide repeating
easy, easssssy, easssssssy.

 3.
Each evening the flotilla of swans returns to the Claddagh;
they are, through half-closed eyes,
a thousand yachts drifting by like ghosts.
On the far wall a trawler slumps;
sometimes children run to it but it disappoints them. 
Here is the colour of Galway,
that falls from the clouds that mop the spires,
that rises again in the Burren hills across the bay.   

4.
The boats went on the river in May.
Nothing was more beautiful than the wooden thud
of the oars, than the glare into the eyes,
the voices over the water, that slow slow progress
and the gurgling beneath the boat.
And sometimes into the reeds,
where sunlight fell as though a Japanese screen,
its spectrum on the water disturbed
by a thousand dark lines like flamingoes' legs.
That first year my eyes were studded with splinters
 of sunlight, my ears flooded with the ripples' laughter.
  
5.
It was cosy in the Cellar:
the fire, the bodies, the sunshine that we snared
in our pints of lager,
Gerry Mulholland licking out tunes on the piano,
the whiff of Balkan Sobranie.
All day long heads were coming round the door,
hippies with jester-clothed kids,
long-haired musicians with slaked tongues,
mothers battering through with buggies and shopping.
Sometimes Andy, shambling behind the bar,
undoubled long enough to vent a curse-like greeting,
if he saw you, if he remembered you, if he had no choice.
Then closing time: the wind invited in the opened door
and that god-awful glass scraping down the window-pane.

6.
In Winter the rain made sizzling sounds on Shop Street,
rivulets of shop-lighting rushed along the gutters
with yachting cartons that collected in the grates;
slate-coloured people ran doorway to doorway and
bus queues stood limp and dripping like clothes on a line.
Each footfall splashed a halo of water, soaking shoes;
collars were pinned closed with fingers;
but I remember  that the rain made cables of your hair
and they ran currents down your back.

7.
Out Newcastle Road, down Saint Mary's,
past the Claddagh Palace, the Cottage, the Warwick;
and Salthill still asleep with that blank look
on its doors as though drink had not yet been discovered.
Then down onto the strand where the swish of the sea
filled our ears like shells, where we wrote our names,
where the sun found us and shaded in
that group of shadows it never found again.

8.
There was a house on Nun's Island we fancied
where the water ran almost to the door.
Sometimes we would walk around that way
just to see it, just to say our house is looking well.
I never mention it to anyone;
I’ve passed it and passed without looking;
that moment invisible to everyone but us.

And I don’t see you. I wonder how you are. 


\


The poem in Sunfire had a stanza edited out that I quite like, it was this:

Do you remember, Martin, that Sunday in May,
you and I were on the river about twelve,
a beautiful Summer morning
and we heard the music of flageolets?
So we stopped and looked, but there was no one.
Fifty yards away the Menlo road ran behind a grassy bank
and a low stone wall. The music kept rising
but there was only ourselves on the water.
A band was playing marches right beside us;
the river was still, there was a rock near the boat
with a smooth round back, 
And then above the wall a child's head appeared,
then two, then four, and maybe fifty more,
only to disappear as soon, dragging their tail of music
behind them.

Wednesday, June 29, 2016

Among the Ruins





If it was whole, Dunbrody Abbey would be beautiful. However, the ruin stands, like so many monastic ruins throughout  Ireland, a magnificently sculpted limestone outcrop in the middle of a field; majestic in its isolation and its remains; lichened to the colours of the Irish sky; colours that nature knows befit the Irish landscape .

If it was whole, all that it is would be before you. As it is, you must rebuild, refurbish, re-carve.  Here and there small ornamental flourishes survive in its stonework; imagination kicks in, but it is too great a task to restore all that wonderful ornamentation; enough to know that it was there. Searching out these small details becomes a treasure hunt.


If it was whole, the roof would exclude the sky and the light; the lancet windows would be of stained glass not of moving clouds, the floor would be darkly flagged, the recesses as black as caves. Today it is  a flood of  glorious daylight.


















Thursday, June 23, 2016

Shape-shifter

The shape-shifter, Púca, in Irish mythology is a tricky guy. His moods vary hugely, from malevolent to mischevous, even, on occasion, to kindly. There is more than a suggestion that sightings and encounters with the Púca were alcohol induced. So, arriving home in the early hours with a variety of wounds on the body would, don't you know,  result from an unfortunate meeting with a puc goat on the  narrow road home.
There is however, in Púca's various guises, iconic images picked from the Irish landscape and  Irish lore. Though not of Irish origin, he, like so many immigrants over the centuries, became more Irish than the Irish themselves.
Here is Elaine Leigh's stunning 'Púca' which features in our collaborative work Above Ground Below Ground.







                                                                   
                                                         Shape-shifter


Gull I fly, spark from an anvil;
goat leaping, fraying rag.

Eagle swooping, slivered sunlight;
horse exhaling piston-jets of steam.

Hound darting, arrow-swift,
hare sentinel of the jewelled morning.

Lizard slithering tress down stone,
bull pounding bodhrán of the earth.


Sunday, June 19, 2016

Chopin


A stream is sparkling. The notes are swirling. Eddies, cascades, runs, sprays; coloured pebbles flickering beneath; sunlight glinting off the surfaces: aqueous diamond, facets fluid.

That magnificent play of light into the eyes, tickling senses into pleasure even exultation, as near to breaking into a sprint as the spirit ever will.

The notes spill down the aural canals, trickle through the auditory nerves; speckled light, now fast now  slow; now curved, smooth as treacle; now splintering sparks from a bonfire.


Wednesday, June 15, 2016

Walking along the Grand Canal outside Dublin




Beyond The Twelfth Lock.

All the world was in a pool by the canal;
all the Autumn,
all the Summer turned peacock 
gazing at itself
quietly, still, face to the water.

Where I had seen the swans
flaming in Spring,
today I came on Summer, 
gold and beautiful,
about to die.

Saturday, June 11, 2016

Damp and Drizzle.

     


Damp wet, wet, wet.

Grim drizzle

Leaning against the wall

All day.



If I could hum the mood

In your ear

You'd know what I mean;


You'd remember.

Tuesday, June 7, 2016

Representative of the Common Man?

I was listening, recently, to an interview in which an Irish businessman was outlining the necessity of capitalism. It was a familiar story: those who create wealth for all must have the reward of affluence to motivate their efforts. That wealth is then divvied up among all; he would acknowledge that there were basic entitlements at the lower end e.g. education, a home etc. His philosophy acknowledges that greed is a driver for humankind, and inequality is an inescapable aspect of it all. So be it.

Part of the reward for wealth, though, is the belonging to a class that can ‘afford’ privilege; privilege that permeates all facets of life, that is passed onto succeeding generations, deserving or not. Within a skip and a hop from that philosophy then, we have the divided society in which many are set for cannon fodder (or one of its peacetime guises) and others to be part of the elite who can enjoy uninterrupted comfort through the privations of others.

This, then, leads me to wonder how anyone can imagine that someone like Donald Trump can possibly be a suitable representative for the American in the street.


Margaret.     (d. 1961)
 
Child that played and skipped
and ran, 
climbed among the trees
when the adult was as far away
as death itself;

woman in a countryside
of old men and their wives
turning spidery;
rain and years
between herself and old age;

London: Irish skivvy, 
that rolling unrolling knot
of mop, bucket and woman 
paid with poverty for accepting
oblivion.

Spitalfields and squalor;
a dark coat, bark-rough face
beaten to a glower;
culprit and victim,
drink took them both.


Wednesday, June 1, 2016

When yellow was the perfect colour

Yellow has that unfortunate connotation in battle. But yellow is a warm light. And blazing gorse is the fullest vent of Summer's exuberance. A yellow rose on the verge of full bloom is the promise of just that. 

The Yellow Rose.
                for Alan Biddle (1952-1994).

When his eyes had shut for good
and his face was just a face
and conversation had slowed
to the ebb and flow of memories
speaking among themselves,
a small gesture recast the day.
She placed a yellow rose on his chest
over the picture of the Sacred Heart.
The gentleness of that moment;

the single rose: how well chosen;
how well she chose it.
His face changed, full of ease
as through all his illness,
but death had sculpted warmth away.
His eyes shut against us,
fingers tangled up in rosary beads;
I'll remember him alive
or remember the rose when he was dead.

Sunday, May 29, 2016

Rain and Imagination

The day darkens. Charcoal clouds hustle the blue across the sky, corral it into a far corner of the universe. The first drops fall, heavy as berries. In minutes the world is a blur. The sharp edges of landscape now diffuse; what was clear is now obscure. Imagination is released.
Monet. Cliffs of  Pourville, Rain

And then there is the rain in which thoughts come clear and perfectly defined.  Each having its own orbit; delicacy its beauty, still sharp as a bullet hole.

Gustave Caillebotte. The Yerres, Effect of Rain

Tuesday, May 24, 2016

Seeing

Inside yourself. In the space of yourself. Watching your feelings flying, litter in a gale, down the main strip. Seeing it all with that 'accident moment' acuity. A curious distance between you and your emotions, as close to being two as is possible. 


Seeing

discarded matches on the pub floor,
reflections in gutters,
cobwebs in the corners of ceilings,
petals shed and shriveling,
railings’ wrought iron curlicues,
broken windows, tattered curtains,
carrier bags snagged on branches,
the moon running along beside me,
heron one-legged by the pond,
a glove on the footpath;

each fleck, speck, flaw in your argument;
every minute branded, second burned

as thoroughly as a pipe smoker’s match.

Thursday, May 19, 2016

Transatlantic Trade Investment Partnership


Democracy seems to have little currency now beyond being a pretext to wage war. This agreement smacks of much that I hoped the EU wouldn't become. There's a  lot online regarding TTIP; this is a good place to start.


This was posted by 38 Degrees; worth visiting at https://home.38degrees.org.uk/

Monday, May 16, 2016

A Bottle of Whiskey




Whiskey is my best colour.

The bright eye in the glass

sucks on grief;

still Manhattan lights   

ring the  bay below.



Stomach the needle.

The yellow meter falls;

conversation curves with the bottle

and I fly, birdless wing.

At half past three


the genie is corpsed on the table.

Thursday, May 12, 2016

A Nightmare

As a  child I had the nightmare of being lost in a forest, wandering blindly among alien-looking plant-life and slithering skulking animals. That universe is huge, and cluttered with unthinkable possibilities, almost none of them pleasant.



Where Are You.



Where are you.
Where are you child.
Among the spring green leaves
Naked as a lizard;
I hear your airy lilt,
Why are you humming.

From what remote well
Do these grotesque sounds come;
Dispatched, bleak cirrus
In the high skies of a child's voice,
Freezing all the forest
Into fairy-tale stillness.

Where are you,
Where are you child.
In what empty paradise;
Where's the tower that emits your eccentric song;
Against the frozen wings of which birds of paradise

Do you rub.

Saturday, May 7, 2016

Carpet from her eye



There was a carpet from her eye,
I was fool to walk;
peacock not in the ha'penny
place with me.


She of the gold tabernacle;
I, the greedy eye,
passing shadows up the upward tail,
knowing, all the time, the blade in my wake.

Monday, May 2, 2016

For Ecstasy




He smashed his head
on a mountain-side;
fell pentagoning down;
earth exploding blossom-like
toward him.

They found his body,
knew that he had jumped,
but couldn’t find his head.
I tell you now,
his head is falling still.