Flame

Nurtured in the bend of each other,

shaped, turned, unshaped,

we travel light as air.

Time furled in this one flame,

ourselves, our dreams one;

this momentary incandescence everything.

On The Beach

When, at the end of the beach, I turned

to face that gleaming scimitar of strand,

the filigreed waves  hurdling landward,

ripple patterns beneath my feet ,

the scythe of oyster-catchers by the water,

their chevron markings perfect in that light,

I was euphoric in the magnificence of it all?

And as I walked, I felt the completeness of my belonging,

impermanence too like those scarves of sand blowing

ahead of the wind, and not at all sad for that;

recognizing suddenly that transience is the definitive condition;

that the earth unmakes everything, and, in never-ending cycles,

brings it to shine at the edge of the sea.

In this mood

In this mood

things become more defined:

the silver sugar bowl, beyond reflective,

becomes the collection of objects around it;

the shadows between the fruit in the bowl

as dark and mysterious as those in a forest;

scale somehow immaterial; detail precise.

Colours become experiences: I look inside red

as I’d look into the flow of a river; browns

have the richness of burnished mahogany,

a grain within the colour, a dynamic.

Reaching for the sugar, I watch my hand, from mid-arm,

travelling over the table like a boat heading out to sea.

It seems my eyes are sucking out my energy;

creating this crisp perception from my concrete,

leaving me in darkness amongst the brilliance of things.

The Beginning of Science

Long before Saint Patrick,

leather-footed musicians

would keyhole dawn

to catch the sun in ice candles.

They played those flames on strings,

their spikes of sound,

for children’s whistling eyes and lunatics,

who, in their distance, danced.

Fire caged in ice, ice in their hand;

music lit from within;

ambition began;

separation became a beauty.

Brian O'Doherty Exhibition in Roscommon

 Roscommon Arts Centre is launching its re-developed visual art space with ‘Coming Home’, an exhibition of works by Brian O’Doherty.  The title is apt as O’Doherty was born in Ballaghaderreen in 1928, and received the freedom of Co. Roscommon in 2018. The exhibition opens on Friday, May 31^st, and continues until July 26^th.

Blue Man

There is a man,

dead of night,

clutching his shins,

making a hemisphere

to cage his pain.

 A blue man,

                                     middle of the street,

                                     roaring,

                                     arguing

                                     with traffic markings.

There is a man,

he is a plastic bag

filled with his own storm,

the white line

 pouring into his mouth.

Glass

                                              In the empty house,

I accidentally touched something against a glass;

it instantly, and quiet beautifully exclaimed bong.

Not a cry of pain or discomfort, more a declaration

of being. Bong in a clear, bright, unwavering voice,

neither male nor female but indisputably glass;

not any glass, but this glass three quarters full of water.

Storm

The storm is keeping me awake;
the dogs, discordant tuning forks;
the whine of lost souls in the electricity wires.


I’m tossing in the gusts,
waiting for the morning light to clank back
but knowing it’s beyond the gap
where the storm is crowding in.


Your unhappy face turning away
to hide the tears, and
the storm banging on that nail
all night, all night, the whole night long.

In Mayo

          

The sky:

            rags on bushes

            in a wintry gale.

Barbed-wire fence:

            a lunatic's music

            sprinting down the valley.

The mountains:

            a row of tossed heads

            with their silvery sheen.

Telephone wire:

            daisy-chained voices

            humming out of tune.

The lake:

            a shirt that blew

            off a line.

Rowan tree:

            tongue on the mountain

            shaping high C.

Fences

A rewrite of an earlier post. So often it boils down to hanging out the laundry not fully washed.

Fences

Imagine the countries of Europe erecting Auschwitzian wire fences

with no man’s land between: grassy lanes of ragworth, thistle and buttercup.

Imagine, like water released into channels, migrants entering these paths,

growing from trickle to torrent, eventually filling them; a teeming mass

constantly jostled onward to no destination. The seasons passing,

summer to winter, the grassy paths turned to mud, then frozen under snow;

a metre to either side, border guards watching with disinterested expressions.

Imagine these human streams flowing across the map of Europe

serenaded with the music of its civilization, Hungary, Austria, the Czech Republic:

Mozart, Bartok, Mahler…….,

and the migrant contemplating freedom beyond that barbed wire fence;

a perspective so horrifying less than the span of one lifetime ago.

Perspective

I’ve been seeing January migrations of geese in the powder blue sky above Dublin;

those ever-shifting arrows sign-posting exotic, faraway countries are in my thoughts

when a full-stop moves from the text into the blank margin of the page I’m reading.

I watch it moving up the page, wondering how much purpose a dot-sized creature can have?

At the top it turns right, making for the gorge between the two pages;

its slow progress suggesting rough terrain: clints and grykes, a burren’s uneven pavements.

A newscaster’s voice cuts into the moment  ̶  95 people dead on a street in Kabul  ̶

I lose sight of the full stop;

how high up, I wonder, must one be for our atrocities to be so small that they appear insignificant.

Three views of the universe

I am sitting on a park bench,

 a pool of sunlight before me,

 a cosmos of flies

are stars in Brownian motion.

A city park after midnight.

I am arrested by moths in lamp-light,

their sudden brilliance, meteorites

streaking from invisibility to invisibility.

A stream in afternoon sunlight,

 the innumerable scintillations, pulsing.

Again I see the universe;

and, like beauty, it has no scale.

Saint Féichín's Prayer on High Island *

Between the troubled sea and fickle sky,

this island barely more than raft,

this church a mast,

and you, my Lord, Jesus Christ, the sail

delivering us from monsters

that daily beset us in our voyage.

I strap myself to this stone, consecrated

with your cross and invite my penance:

flails lifted from the swell, nails

You spit to cleanse us.

I present myself, a rag on a thorn,

a cold flame awaiting the warmth of Your forgiveness.


*Saint Féichín founded a monastery on this tiny, remote island off the Galway coast in 634. There are some photographs at  http://www.earlychristianireland.net/Counties/galway/high_island/

Book Launch of 'The Pornographer's Model': Short Stories by Kevin Hora

Looking forward to the launching of Kevin Hora's chapbook, 'The Pornographer's Model', next Thursday, May 2nd, at 6.30pm in Kevin St Library, Dublin . I rate him highly; his stories are imaginative, finely crafted, intriguing. The depth of care taken shines out from his writing; his sharp intelligence is constant and consistent throughout. He is one for the future; I'm recommending you come to see for yourself.

Manet's 'The Railway': another view

A curiosity beyond bars; children are so used to 

bars.

The smoke, not the engine; not the source, but its 

obfuscation.

The wonder that was everything, before the indifference

of adulthood.