Time, unchecked, steals lives.
Poetry by Irish poet Michael O'Dea. (poems © Michael O’Dea, Dedalus Press, Amastra-n-Galar, Lapwing Publications)
Sunday, January 5, 2020
Saturday, January 4, 2020
Taken
Once, in a sodden, flaggered field
beside the river,
the current took me;
not a canoe but a trout,
a water’s flint smoothed by its flow,
a ripple’s almond.
All sleekness and fluidity,
all instinct;
a lidless eye running,
seeing and discarding,
gorged on movement,
passing all argument.
Tuesday, December 31, 2019
St Féichín's Warning
As hare –
whiskers taut, eyes bulging –
he scours the
mainland
in the grey hour of
evening
when demons go
searching for currency.
Sitting sentinel on
day’s shore-line,
grabbing at the seen
and the half-seen,
reining in
phantasms,
deciphering the
commotions of molecules,
he senses, suddenly,
a juddering in the air
from around some
looming presence
– an approaching
darkness, darker than night –
and an ice-bolt hits
him.
With the flesh
creeping along his flanks,
he kicks back his
hind legs
and bounds through
the tussocks,
to the church in the
hollow.
The bell’s baleful
clonk, strange at this hour,
draws shadowy
figures out of the night
into a bedraggled
huddle
standing anxiously
in the sanctuary of the church.
.
Féichín, with one
last tug on the rope,
and hare’s wild
gaze in his eyes,
turns to them
gravely
to announce the
arrival of Satan on Omey.
And on that ominous note, happy new year.
Labels:
medieval tale,
Omey,
St Feichín
Thursday, December 26, 2019
Wonder at a City Pond
Mallards, water hens, swans; all round-bellied on the pond
or rotated 180,
peaky-arsed upwards, delving for food.
Down there the
arrow-headed, sleek-sided, taper-tailed
dart between beaks,
hooks and gobble-jaws.
The magnificent
refinement of bodies here at a city pond;
we strike the
pavement to move along
as a flock of gulls,
maybe fifty or sixty, swoop low over the water,
cutting the air;
blades, slivers, silver clavicles.
I can't help feeling after the breakdown of the recent climate conference in Madrid, that it's time for us to insist through the ballot box that breakdowns are no longer acceptable, that representatives should be locked in until resolutions are found. It's gone too late, and too catastrophic to be accepting less.
And, as for those who don't accept climate change as a reality, we should insist on their participation; whether accepted or not, the implications are too great for anyone to be taking risks with our children's futures.
With the greatest hopes for enlightenment among our leaders, let's hope for a great 2020, as in vision and the new year. M
Sunday, December 22, 2019
Saturday, December 21, 2019
No People
The hunch-doubled thorns,
ingrown pantries
dung-puddled;
the moss-stone walls
tumble-gapped.
The nettle-cracked doorway,
lintel-fallen
byre-footed;
the cloud curtained windows
elder-berried.
The stone-sheltered air
bumbled still,
ruin-reverent;
the submerged garden ridges
dumb-founded.
Monday, December 16, 2019
A Canal Vision
In the dim light of a December evening
swans, bright as
struck matches,
are gliding over the
oarweed of traffic lights
on their way to
Harold’s Cross Bridge.
Ghosts on winter’s
dark glass,
blind to the world’s
commotion,
they pass without
trace,
blind even to their
own beauty.
Labels:
Dublin,
Grand Canal,
swans
Sunday, December 15, 2019
Market, Emily Square, 60's
Gulls
pecking in the litter of clothes,
scarved heads bobbing
on the spume
for there were more coins than notes.
Shoes,
their
uppers and stitch-work
bent
this way and that,
fingers
inserted to the toe
for they had more
copper than silver.
Spoils,
back and back and back,
that incessant wrangling
over threadbare rewards
for
their’s
was then
far
less than plenty.
Labels:
A view of Ireland in the 60's
Wednesday, December 11, 2019
Crucifixion Scene
I’m struck by the basketry of bones containing the thorax;
that unexpected view
of internal anatomy,
a map of pain.
I think of Frida
Kahlo, the broken ionic column that supported her,
the deer struck with
so many arrows,
all contained within
her defiance.
And then I see that
the bones are not containment,
they are radiant;
they radiate
strength.
Tuesday, December 10, 2019
Passing
Desert,
clouds of shifting
sands,
landscapes
forever passing by.
Moon,
blank-faced
forlorn,
always assumed
you were going
somewhere.
Thursday, December 5, 2019
Love Song
Here I am, grey haired and lonely,
singing out to sea in a voice that cannot compete
with the thunder of the tide;
yet still I persist, for nature has shaped me to it.
And if, by some unlikely chance, my song drew a mate,
she would almost certainly take umbrage,
be indignant at first sight;
but, as I’ve already pointed out, this is my only way of
being.
So here I am, cursed to an activity
that degrading me, promises only further degradation;
churning out a song
that the waves themselves contrive to suppress.
Wednesday, December 4, 2019
Sleepless
Spent the night driving
my wheel-less car,
light-less
to dawn’s road-less
gravel.
Day, eventually projecting
itself in the round,
revealed the signposts,
all written in an unknown script.
Saturday, November 30, 2019
Impressionist Poem
Ingots of light melt,
raft my bottle green worries
like water weed,
fill my eyes
with dizzying effervescence.
Break the seal of water,
unravel its fantasies;
the world is exhilaration;
see it
as water does.
Wednesday, November 27, 2019
Beyond Lace
She has just the dress, it’s short and floats
around her thighs but is tight at the waist.
She sees mens’ eyes on her when she wears it,never acknowledges, but knows she has captivated
them for a minute, maybe more: an electric shock
from brain to crotch after she has passed.
She’ll put on the clear stockings with lace borders
holding them snug around her upper thighs, that hand-like
grip on her skin. She will leave her cunt unclothed
under her dress, like breathing, a gag removed, sexy,
herself, the way she knows she can be, is.
She will sit with her thighs crossed, the lace
showing just beneath the hem of her dress,
her bare sex six inches above. How they would
strain to see beyond that lace, how their minds
would race with the faintest glimpse of her bare
flesh exposed for a moment with the re-crossing
of her legs, the smallest shift of her body.
A drop lingers before falling from a leaf. Collecting
water from the blade, it quivers but holds, holds and
holds till one molecule arrives that is too much to hold.
She knows about anticipation, how the infinitesimally
small movement can turn a man’s mind, she has
watched the drops and she has watched the men.
She will sit and talk and hold her drink between thumb
and forefinger as though it was a trinket.
She will allow her dress to rise to the place where
the sliver of her skin will tighten the mens’ penises;
she will be chatty and smiling, occasionally shifting her
thighs, looking into the men’s faces with charming
nonchalance. Her eroticism brushing lightly against all
the exchanges of the evening, she will be utterly seduced
by her own sexiness.
by her own sexiness.
Labels:
A poem about sex,
eroticism and being free
Saturday, November 23, 2019
The Discovery
Many years after he had died,
I found the smell of my father’s office in his briefcase.
Pipe-smoke, cigarettes, pencil-parings, paper;
not just his office but part of himself
still in existence after all this time.
still in existence after all this time.
When I was small I would ask to sit there, beside him,
in the heat, the smoke, that mixture of smells.
He would say if you’re quiet; I would promise
until, minutes later, I talked too much or stirred too much
and, well, I was ejected.
I opened the case to an assemblage of atoms
unique to my childhood,to the sixties even,
put there by my father and now dissipating
like an art treasure in the sunlight,
put there by my father and now dissipating
like an art treasure in the sunlight,
the last of my father turning to nothing.
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