Life Like Clouds

Life, like the clouds in a blue sky, changes slowly;

I turn onto my stomach to feel the sun on my back.

Afternoon progresses; the clouds of fortune and

misfortune transmute many times over;

I turn onto my back, onto my side and round again;

the sun comes out and the sun goes in

and all the time, with no more than an occasional, indolent

glance at the sky, shadows are passing, shapeless to me.

Slow as it is, life flashes by,

and all is changed completely before I quite grasp it.

Everlasting Life

One day, walking in the hills, I sense you’re inside me.

I don’t know how much of this can be real:

emotion built from the beauty of a place stirring me

and suddenly being aware of your presence.

I stop a moment; the shock of discovering you with me

pulling me up; I’m unsure, questioning:

in truth we are our parents in our time; if beauty is stirring

the atoms you bequeathed me, would that be a surprise?

Walking on, I am aware of a warmth like love filling me,

and I’m aware of the beauty that is all around, and being part of it.

I laugh out loud, quicken my step and have, in that moment,

comprehended something of everlasting life.

How Little Has Changed

I’m reading poetry from China,

first century BC,

and thinking ‘how little has changed’.

And now I see a video of a white policeman

murdering a black man,

and I’m thinking ‘how little has changed’.

Now I see a man,

white and powerful, using this to gain advantage

and I think ‘how little has changed’.

And I wonder how so little has changed:

that, even now, an autocrat may gain the favour of citizens

while fellow citizens die.

On a Rock of Flails

The cormorants are oil slick standing

on a rock of flails, a witch's exile.

Beseech, forever perhaps, the frozen ocean, twinned sky

with outstretched wings;

mimic, why not, the eagle like a famine victim;

as widows gather where a church used to be,

keeping watch for their salvation.

Lowerymore River at Barnesmore Gap

Sinuous river, beer-brown water,

easing past bows

where heaped

granite stones, rounded beneath

numberless years flow,

curl tighter

your mosaic bronze bed

shining now

under inter-crossed

ripples grinning

back straw-coloured sunlight.

The Swans of Derravaragh

The story of the Children of Lir is familiar to many Irish people from Irish folklore; the story originates, I believe, in Scandinavia. It is the sad tale of four siblings who are transformed into swans for 900 years; their step-mother couldn't quite muster the courage to murder them but could not live with the jealousy of  her husband's love for them. The story is heart-wrenchingly sad, but still does not quite distill all the sadness that's in the story.
The siblings will spend 300 years on Lough Derravaragh, 300 on the Sea of Moyle, 300 on Inish Glora. This is my Lough Derravaragh poem. (Please google 'Children of Lir' if you aren't familiar with the story)

On Lough Derravaragh the swans had their fill

of waterweed, pondweed, wild celery and grass;

their songs carried so sweetly over the water

that people travelled to listen and be transported.

Daily their father came to speak with them;

they related their stories. Aoife  was banished

to the high skies, and happiness

was as blue is patched into a cloudy sky.

They saw their father age, grow slower in thought

and speech; bitterness grew with self-recrimination

till finally he could not face them; the rock on which he sat

left bare,their songs became plaintiff and spare.

Three hundred years they spent on that lake,

three hundred years on its iron-coloured water;

the sounds of human life carrying down from the fields, and

the passing years counted in growth and decay, growth and decay.

An Long Corcra - The Purple Ship

An Long Corcra



An spéir glas leathsféarúil,
díon craiceáilte mo theach,
bobaire lán le cruthaíocht.


Na páirceanna gorma spraíúil,
droimneach mar bhraillín sa gaoth
faoi righne na sléibhte dearga.


Agus mise, captaen an long corcra,
ag seoladh farraige mór mo shaol,
gan aird a thabhairt ar compás nó réalta
                                                    ar bith.


I don't think I'd have written this in English; what a pleasure it is to be writing poems trí Gaeilge, and again, if any reader spots a grammatical error I'd be very grateful for the correspondence. Here's a translation.


The Purple Ship

The hemispherical green sky,
mad roof of my house,
prankster full of invention.

The playful blue fields,
undulating like a sheet in the wind
under the strict red mountains.

And myself, captain of the purple ship,
navigating the ocean of my life
without compass or star.

A Person

1.

He paints all sorts. Familiar scenes,

but there’s always something missing:

a tree with trunk and crown, no middle,

house with windows, blank space ‒ no door.

2.

He lives rough;

his back the wall of his bedroom.

He listens to a radio, low static-filled sounds

that dribble from his privacy into the street.

3.

I’m looking at the doorway;

the paintwork is scorched.

It’s been like that for a while now;

he, himself, is missing.

And then

    

And then

           And then

   And then

You get to where you are.

       After all that

  After all of it

        After all that

You arrive at where you are.

Here

          Here

  Here

This is where I have arrived at.

Personal Observation

The page invites words like snow invites footsteps;

the climber’s challenge of a cliff with no footholds.

Countless times my imagination has proven itself to be 

(i) the empty snowscape

(ii) unfit for the challenge.

Trump Watch

For years I couldn't quite grasp how Germany walked itself into despotism. Now I'm beginning to get it.

Trains

We recorded trains speeding past:

successions of windows,

film strips flashing across our eyes,

flapping away into the night.

You described trains passing apartment windows

in an Italian city: photographs of strangers:

a cup halfway to a mouth,

a head bent to a drawer.

A photographic exhibition:

snapshots of the disconnected

lives of modern cities;

ephemeral existences, dispensable people.

In your apartment we watched our footage,

it delighted us: trains are film strips;

they roll and roll and roll

and each frame is a kind of death.

Butterfly Poem

One solar bright afternoon, I stopped to watch

a butterfly ‒ white wings with orange tips ‒

fluttering for a few moments above the May

green foliage on the roadside at Lough Eske,

then settling on a leaf, a candle flame suddenly still.

Spectacle may be the Grand Canyon’s sheer fall or

a bengal tiger crouching on a snow-bound Himalayan crag;

but in the vastness of a Donegal hedgerow

it is a splinter of life flying between paper-thin wings
more dazzling than rose petals

Speckled Water

The pools

the pools of stones

hide the eels

eels 

the eels of mottled water

I dipped my foot

dipped 

I dipped my foot

into the teeth

the teeth of writhing water 

oh how it ran

ran from me

shiny side of a ripple

how those teeth took my foot

the eels of speckled water

From a Child's Window

The child is at the window; he is there every evening

at this time, as the clouds of the world are catching fire. He knows

the fields behind his house: the hay-shed with the tunnels through the bales,

the wrecked car under the elders where some of the hens are laying,

the field with the maze of pathways through the furze.

Beyond that, the railway line where the lesser known world begins.

He has been there, where the fields are wide and there are no houses,

to the water hole where the small fish dart from weed cover to weed cover;

that’s where the prairie begins, where cowboys travel alone.

To the left, the railway line cuts straight to the white gates;

he has seen the gates; beyond them trains travel days, weeks

across parched deserts, open steppes, past wadis, oases. The passengers

seldom look: tuxedoed gentlemen with glinting teeth are tipping whiskeys

lit by a million lights in crystal glasses to feather-boa’d women

whose champagne drinks sparkle back from the tips of their slender arms.

He knows the station is to the right, and there’s the bridge he loves to stand on

when the four o’clock is coming through. The excitement as the engine appears,

slowing to the platform, then starts up, and the carriage roofs passing beneath him,

he loves that; then the last of it, the tail slithering away from the station.

Where to? He does not know. It goes into a place he has no thoughts on;

the evening train into the hours he sleeps through; that is where darkness is.