Deforestation:
another cancer-ridden lung,
its blackening tissue,
from the air,
ugly as any tumour,
as aggressive a cancer
as would cause any patient
to stop.
Poetry by Irish poet Michael O'Dea. (poems © Michael O’Dea, Dedalus Press, Amastra-n-Galar, Lapwing Publications)
Deforestation:
another cancer-ridden lung,
its blackening tissue,
from the air,
ugly as any tumour,
as aggressive a cancer
as would cause any patient
to stop.
Tiger rests, tongue slakes flames,
zen-like in shadow patch
beneath over-arching fronds;
when earshot goes click,
eyesight opens in coin flick,
Tiger, sunlight in leaves,
silent on padded paws
muscle tide carpeted,
sense, action, being, crouched
in cave opening of eyes;
springs sheltered beneath fangs
gush bright silver streams,
Tiger turns dreamy.
imagine
the dim muddy sunlight that filters into lake water
imagine
those perfectly round, olive green leaves drifting by
trailing their spiralis stems behind them
imagine
bubbles here and there rising like nascent stars innately
aware of the presence of sky
imagine
in that place, a man drifts by, a ripple of life with a vague light
from half open eyes
imagine
his love similarly, lying on his back as they flow, her eyelids
heavy like his
imagine
the depth’s silence caressing their bodies with luxurious density
imagine
their eyes see you as they pass, but regard you as incidental as
any sight along their way
imagine
that oneness, close your eyes and think of it
Two wooden posts, maybe five metres apart,
driven into the ground near the edge of a moor,
a desolate, wild expanse;
the connecting fence long since gone.
Two estranged lovers
standing at the edge of each others’ company,
maintaining their rigid positions
in vast pointlessness.
How magical it all was:
all of us gathered in the sitting-room,
watching every moment of the setting up
of screen and projector, the reels fitted
into place, lights turned off, then click
and whirr and our own cinema,
the impossible happening before our eyes.
Now, cine-camera, projector and screen,
most likely broken, taking up space in our attic;
a few reels of film tossed in a box, unseen
by anyone for many years.
And those faces, blurred behind grainy footage
and jumpy camera-work: dead, long dead
most of them; before our children’s memories.
Ah, old magic, even I won’t risk seeing them again.
Misplaced and crass,
worn like plate armour
by a man who'll pass
completely,
almost as quickly
as his breath on glass.
Between the leaves of a book, I find half a greeting card;
the picture, not the message.
The book has been a long time untouched,
but the card has stirred something; I cannot remember;
was it put there to remember?
The years pass, the books collect on the shelves,
here and there marked with tokens from our lived lives;
moments we once considered worth marking,
now lost among the abandoned books,
the millions pages past.
Blue,
bright night blue,
painted evenly across the sky.
A moon’s yellow halo low above the dunes,
smooth undulating dunes,
or lovers, perhaps:
smooth curved backs of lovers
in a lamp’s yellow halo,
and the slow shift of sand grains
along night’s gentle breezes
or the slow drift of lovers
along their gentle breathing.
The photograph on the wall has turned blue;
I can’t remember the original colours,
and the image is turning into fog.
I’d forgotten what year you died;
a few years ago, I assumed,
then I was told it was fifteen.
A person dies; you thrash around in the memories;
finally a day arrives and you’re not remembering,
then more days pile in.
My memory of you is turning blue;
I have forgotten the original colours,
and you are turning into fog.
The roots must beg in the shit and mud,
among the carcasses and the decomposed;
spindling whiskers around grains holding
water tight as briefcases of money; feeling
with pin-sized tips their way through
snake-pit of competitors; tunelling eyeless
to regurgitate eternally life’s slop.
To break through to the light in multi-armed
resplendence like Hindu Gods; their fanned
out canopies of leaves and blossoms: glorious;
beauty like swans above the water-line,
a million miles removed from their subterranean
engine-rooms.
Every droplet of rain is a droplet of sunlight;
the windows are a million suns flowing down;
light is shining from under our feet, from the roofs
and pavements, streets and windscreens.
Then you pass, and as nets might overflow with fish,
you hair is sunlight right down to backs of your knees.
This is a memory.
A momentary event like a meteorite crossing the sky
which I have elevated to sacredness in my mind,
for a mind needs its torches,
it needs its flares.
I must make an appointment
though we set the pendulum of our lives;
I must meet you through glass
though our breathing was one;
I must talk across a distance
though our words and breath were one;
I must put my hand to the glass
though happiness was the heat of your skin;
I must go away
though you are my home.
A large man, despondent with his life;
I got that despondency full in the face
almost daily for disremembering my lines;
which, of course, I could never remember
with the fear of that punishment coming.
Cruelty was the currency in education;
discipline through fear;
their weaponry included leather straps, bamboos,
legs of chairs, even a billiard cue,
and sarcasm to dent where a strap couldn’t reach.
They hoarded family histories for future belittlement,
retained memories to settle old scores,
retaliated down the sibling line. They decided,
over and over, in the cultivation of their pettinesses
who would succeed and who would fail.
But this abuse is not in the past, it’s in a different place;
an adapting, evolving infection.
Look for it down different corridors;
find it where respect is allocated on dictate,
where empathy is a flaw.
We hooked our fingers through the eye of the stone
and pledged ourselves to each other.
The earth was our witness.
It was the stone of the gathering, Cloch an Aonaigh,
and we were the most recent.
It is said that those who look through the hole,
in a state of grace, see heaven; when I looked, I saw you.
In a countryside of stones: crosses, cross-pillars,
cairns, megaliths, stone walls, stony mountainsides,
pledges made are consecrated in stone,
even the great earth movements are signed off in fantastic
scrawls on the schists of Skelpoonagh Bay.
The fingers that played the piano with nails
varnished bright as rose-hips are gone.
Nets of cigarette smoke held afternoon sunlight
suspended around us.
Room received the notes like a canyon.
Fingers reached again for the cigarette,
and light spread in slowly deforming contours.
Piano notes poured into the room like sequins;
faraway sparkle now,
and those fingers are gone.