We walk among ghosts, they are our ether.
Switched to electronics,
we no longer feel their breaths.
Though Earth’s warnings crackle around us,
we stumble onward in science;
tumble backward in empathy to nature.
Poetry by Irish poet Michael O'Dea. (poems © Michael O’Dea, Dedalus Press, Amastra-n-Galar, Lapwing Publications)
We walk among ghosts, they are our ether.
Switched to electronics,
we no longer feel their breaths.
Though Earth’s warnings crackle around us,
we stumble onward in science;
tumble backward in empathy to nature.
slowly
our lives become
our own;
as streams,
eddies and runs
settle
into their channels,
we find
our ways
I stop to gaze upwards into the falling petals,
filling my eyes with their gentle movement,
ears with the silence that descends with snow
and am for those moments lost to this world;
and wishing to share with another that silence,
notes played by petals that just shimmer down;
someone to share an enchantment; not just the fall
but the precariousness of so beautiful a moment.
you and I
a billion times
the starburst
of our lives
brighter
a trillion times
multiplied
the lips fingers
and dangled words
gentler
a thousand times
one trillion
love
His mind sparks explosions in four cylinders, maybe six,
pistons rise and fall, connecting rods turn the crankshaft,
clutch flywheel disengaged a moment, gears shifted and
torque in the wheels altered. His engine purrs; he mulls
turbo with or without variable compression, and always
finds quadratic equations and poetry hinder performance.
1. Juggling splintered sunlight
head lost in that globe
2. Walking on a sea of fallen leaves
kicking up happy days
3. Stringing them along a daisy-chain
seeing them wink as they pass
4. Tuning into starlings
up and down the short-wave.
Issue 11 featuring 32 poets at http://survisionmagazine.com/currentissue.htm and submissions for the James Tate Prize for a poetry chapbook accepted to the end of August. You can find more information about it here: http://survisionmagazine.com/jamestateprize.htm
I look at her,
childlike
in her distance;
a curl
dreaming.
Recognize
her solitariness;
the dream
a wall
around her;
a cold
realisation:
this primal
distance
between us.
I turn my head as a child, look back, see nothing.
When I turn forward again my face has been gouged,
there are splinters from the corners of my eyes,
my mouth is a mean line.
My eyes are pools;
their former blue submerged,
indistinct as dapples are in the shallows.
I turn my head as a child, look back, see nothing.
When I turn forward again I have my father’s face;
he is staring at nothing;
life has grown quiet inside him.
Watching you on the pier
as the ferry moved out to sea,
your face
your waving arm
you in a cluster of people
the cluster of people
the harbour
the town
the headland
the coast
and memory
like looking into a lighted grotto
seeing the tableau receding,
becoming distant
becoming a light bulb
eventually a star
among all the stars
identical to all the stars.
People:
we may, indeed, pass each other unaware.
Fish:
be that close, but almond-shaped sleekness,
pass on, never know.
Murk:
in which we swim and do not see, search
but not find what is all around.
Rows of empty seats, regimented,
plastic, steel legged,
but one, my mother watching me
signing books
with pride as I continue.
Years on, my mother among
those empty rows of seats,
smiling,
dead
but her smile remembered;
memory precarious as steam;
memory that fills purses
money can never reach.
Parched landscape;
a sandy wilderness
deeply gorged.
The geologic processes
ended now;
his eyes,
dried up water-holes,
partially filled with
some long-gone personal tragedy.
I found his heart,
a rusted old truck, abandoned,
curiously distant from any road.