You, in stillness at the kitchen table,
in a melancholy slant of evening light,
gazing past the tableware
at life.
In that moment,
how monumental the tea things;
how infinitely small you;
how brittle life.
Poetry by Irish poet Michael O'Dea. (poems © Michael O’Dea, Dedalus Press, Amastra-n-Galar, Lapwing Publications)
You, in stillness at the kitchen table,
in a melancholy slant of evening light,
gazing past the tableware
at life.
In that moment,
how monumental the tea things;
how infinitely small you;
how brittle life.
I'm looking forward to sharing a launching event with Caoimhin MacAoidh at this year's Allingham Festival. I'll be launching 'The Sound of Water Searching' and Caoimhin will be launching ‘Between the Jigs and the Reels’; a book, originally published in 1994, that has been out of print for a number of years. The event is part of the Allingham Festival in Ballyshannon and takes place on Nov. 6th in the Abbey Arts Centre at 2pm. Booker Prize nominee, Claire Keegan will be in conversation with Sinead Crowley following this event
Sometimes the sky runs through you:
a light-saturated blue, streamers of white cloud.
I’ve admired your free spirit, envied your lightness,
and tugged at my mooring ropes but found them firm.
No doubt, this vision of you reflects intangibility:
I may as well be grabbing at falling snow.
But still, I tell myself, that all I can be and all I can know
is extracted on the threshing floor of my mind.
Here is time,
a jacket hanging on a nail.
And here is sunlight,
dumped on the disused counter.
Here is its shadow
slashed down a wall.
And here silence
in the amnesia of unstirred air.
Here is an eternity
even ghosts have abandoned.
A tree, choreographing its own movements,
has curled back on itself, the better to see:
its veins have made a map of the sky
and are draining it region by region.
In thrall to the honey-lush-sweetness of light;
and its dance standing complete on the pedestal of its trunk.
So small a boat
atop so wide a water,
seeing myself reflected two-dimensional
over so vast a depth,
and afraid.
So vast the depth,
so flimsy the timbers,
so frail the hand drawing a ripple,
so transient the ripple,
so insignificant.
Unfamiliar that face
below the hand
dumbly observing
the passing moment;
I let my finger's ripple break it.
.
Kingfisher:
an emission of blue light
resulting from
the discharge of electricity
following the path
of shortest distance
between two trees
along a river
and flaring momentarily
at the tip of the cathodic branch
before termination of the event;
a shy bird.
It seems no government is going to take the necessary steps for environmental or climate change. And until they do, private individuals will feel taking steps is pointless. Change will only occur when there is an atmosphere of emergency as during the Covid lock-downs, right now it’s life as usual for the most part.
It’s not as though the steps are unknown. The production of plastics must be curtailed immediately;
it seems appalling to me that, for one example, that plastic packaging as is used for putting butter and jam on individual slices of bread in the catering industry is a gross overuse that could easily be better managed. Why don’t we go back to re-usable bottles of milk? Why isn’t there a rationing system on air travel for holidaying purposes, on the consumption of meat, on the amount of packaging used in retail, on the unnecessary use of water? Why is their space travel for the pleasure of a wealthy few?
And how mad is prosecuting war, as Modi told Putin now “is not an era of war”. He knowing better than most as catastrophic conditions become ever more prevalent and temperature records continue to be broken.
United Nations Secretary General Antonio Guterres recently warned that the world is “sleepwalking to climate catastrophe.” Who, in twenty years time, will thank their parents and grandparents for caring so little about them and their planet that they over-looked such clear warnings and such clear evidence?
In nearly all the lists of what individuals can most usefully do, lobbying representatives comes near the top; they need to feel the fire. Talking about it is also considered vital to build the sense of imperative; the emergency is here, but we’re not all feeling the urgency yet.
Inside the fog of adult worries,
her terrors hulk;
fears beyond comprehension
remain unspoken,
she lacks the words;
her child’s face has the countenance
of a sixty-year-old
with eyes gazing out
from shattered innocence.
She stands as though alone
among the other children
and appears not to know
how to play.
That blackness, beyond the storage boxes,
tins of polish, hoover and copper kettle
was, in the beginning, a solid-looking barrier;
I had no intention of going near it.
Time passed, I ventured further. On my knees
into the space, discovering shadowy discards,
dismantled appliances, things unknown to me, perhaps
from an earlier time and still that pitch unknown ahead of me.
A cave, a bottomless shaft to Australia, to Hell?
Eventually I breached the darkness and found it stopped
right there, wood; a prosaic end to my fantasies,
a step out of childhood.
We walk among ghosts, they are our ether.
Switched to electronics,
we no longer feel their breaths.
Though Earth’s warnings crackle around us,
we stumble onward in science;
tumble backward in empathy to nature.
slowly
our lives become
our own;
as streams,
eddies and runs
settle
into their channels,
we find
our ways