Collecting your warmth on the palm of my hand,
explorer of exotic landscapes,
brushing over the warm skin,
the shallow arc of your back;
closed eyes; the sunlit concave of a desert dune
among the sun-warmed backs of dreams.
Poetry by Irish poet Michael O'Dea. (poems © Michael O’Dea, Dedalus Press, Amastra-n-Galar, Lapwing Publications)
Collecting your warmth on the palm of my hand,
explorer of exotic landscapes,
brushing over the warm skin,
the shallow arc of your back;
closed eyes; the sunlit concave of a desert dune
among the sun-warmed backs of dreams.
Days: we grow into them,
eventually wear them snug;
you and I were different fits.
Days of mild disagreement
stacked one on the other
became disaffection;
passionate conflict
might have rekindled love
but ours were days of indifference;
we passed each other
without touching,
we went to sleep without a kiss.
Came a day when you said
you’d rather go out without me;
came the day when I did not care;
the day when you said
you’d rather live without me
and the day I did not care.
I have a memory:
two lovers lying in a meadow,
a cosmos of May flowers;
their laughter swishing them
round and around
a bee-buzzing ecstatic day.
High up swallows tracing circles,
lavish displays
of their mastery of the air;
they watch with fingers entwined;
swallows too,
magnificent in their flying.
She holds her child in her hands,
barely more than a basket of bones light as twigs.
I see the anguish in her face, and try to imagine
the weight of my starving child on my hands
but cannot; I cannot bear to put my child’s face
on that emaciated body.
I will not bear her suffering, not even in imagination;
maybe that is why such horrors persist.
Each discovery opens the door
To a room more empty.
Converging to a point,
and it bugle-shaped to infinity.
Stars make space in my head.
Standing flying,
The universe without within;
Minute, infinite
I.
Full sails once,
bulging with summer sunlight;
we would have gathered them in, eyes.
Geometries of whitened stone:
disused warehouses;
midday has lain down,
stretched out, listless beneath the walls.
Water that is lapping against the quay-side,
speak up;
what is the history of this place?
Part river:
play of current on bronzed pebble-beds,
sweet.
Part stone:
tapping waters in the sound boxes beneath boulders,
their back-beat.
Part waterweed:
the choir’s descants ascend to high C,
the shape of it.
Sopping fields
green with water,
lush drumlins
sluicing November rain
down their soused sumps,
spewing stone-coloured cloudscapes
onto the road,
coughing up sozzled fences
from beer-brown drains
to hobble under their load of time
tunelessly
into winter’s torpor.
Having arrived at my conclusion,
I embark upon a contemplation
of the issues.
Since there is nothing to consider,
I mull over them
and reach the decision
that my ruminations are futile,
that I have already fixed
on a resolution
and that considerable forethought
will be necessary
for the solution I require.
His face, a withering peach dried of happiness;
cares relentlessly tapping at his temples;
years spent yanking a livelihood from obstinate fields.
Still that skulking alertness, a hunger behind his eyes;
trigger-fast assessments, critical, begrudging;
observing the world with a lead-shot gaze.
The exertions of neighbours stored, bones for picking over
through interminable nights; nights that stack,
block upon block, building building hatred.
Let’s say, I was to walk out in public bent into this shape:
it would be concluded that I was a half-wit;
from posture alone!
And let’s say my hair is unkempt and
I’m wearing a big black overcoat, hanging open;
people would cross the road.
If, on the other hand, I retrieve a kitten from the depths of the coat:
they’ll consider me harmless, away in the head,
still better avoided.
And, with all of that, if I appear to be perfectly happy in myself,
I’ll be discounted as a pitiful poor soul,
hopelessly adrift from reality.
The house is a box.
I live in it,
like my skull,
among my things,
navigation markers
of my everyday.
Beyond the windows
chaos,
beautiful, daunting;
I gaze out,
make plans to negotiate it;
it stares back.
You, in stillness at the kitchen table,
in a melancholy slant of evening light,
gazing past the tableware
at life.
In that moment,
how monumental the tea things;
how infinitely small you;
how brittle life.