Our colours are bells;
we, lovers, live forever;
defy perspective;
grow from each other
into each other;
no beginnings nor ends
but running timeless,
seamless like trains
through air.
Poetry by Irish poet Michael O'Dea. (poems © Michael O’Dea, Dedalus Press, Amastra-n-Galar, Lapwing Publications)
Our colours are bells;
we, lovers, live forever;
defy perspective;
grow from each other
into each other;
no beginnings nor ends
but running timeless,
seamless like trains
through air.
Pearl-white, the day;
January frozen colourless.
The sun, golden in its cage,
a pint of lager in a man’s hand,
a quarter mile out on a frozen lake.
Light coming through a keyhole
from another world, perhaps:
Summer, honey-coloured warmth;
small enough to carry in a hand,
persistent enough to shine into my eye.
Light falling
like leaves
in Autumn;
you inside it.
Eyes grey
in their pools;
pale and thin,
dimming;
disappearing
among the wonderful
colours
of rotting.
Failing
light soft as Autumn leaves
falling.
The year’s foliage becoming humus,
new soil;
smell of decomposition: fresh, dank,
mossy;
preparation of next Summer’s fertility.
You standing,
foot on shovel, king of the ridges;
colour
of last apples, ripening towards rot;
who knew
that inside the lungs were discolouring,
hardening
as Winter will curtail with sheets of ice;
or that I
would stand, years on, in dank November;
with same face,
watching for the robin in the nearby hedge.
When they shake out the fields,
wring the cities,
we fall out,
boned trees.
How our Summers passed
and fell,
desires.
Left us gaunt and brittle,
fingers
still scraping the sun.
Blasted to rubble,
and buried in it,
a child,
a baby dead before
arriving on the floor
of his own mind.
Don’t talk of rights.
The poem has a descant voice;
born of beautiful words,
it flows, whirls high above them.
Even when the meaning is opaque
it sings the song
the words are breathing into being.
Silence as in a fish tank;
life laps to the walls
but in here almost tangible;
in this unstirred air.
In the stained glass gloaming
of this cathedral,
conscious of my own presence;
senses magnified.
Size, minute
inside this architecture,
colossal within my own frame
as standing beneath the stars;
I am
infinitesimal but integral.
Sitting at the table,
it set
but no one else there.
Your eyes, too,
elsewhere,
or lost perhaps.
How small you look;
and still
how far you may see.
Readers of this blog tend to be from foreign parts, but should there happen to be anyone from the vicinity of south Donegal looking in, you may be interested to know that Local Hands in Ballyshannon is hosting an evening of literary readings with interspesed music this friday evening, Culture Night, Fri 22nd. The event goes from 5pm to 8pm and features local poets and musicians; I expect to be reading in or around 6pm. Other readers include Olive Travers, Ted Hall, Roisín Lee, John and James McIntyre and members of Pen2Paper Writers Group from Donegal town.
Local Hands, which conveniently has my books for sale, will have information on their facebook page: https://www.facebook.com/LocalHands/
They had the genes,
they could embed them:
a dog’s hearing,
a cat’s dim-light vision,
dolphin’s echolocation;
they called them superpowers,
marketed them aggressively:
SUPERHUMANITY HAS ARRIVED.
They never admitted
that the brain cannot handle the sensitivity.
They never declared
test cases driven to madness,
sleep having become impossible,
nerves shattered, but advertised:
navigation skills of homing pigeons coming,
HUMAN FLIGHT ALMOST HERE.
A stone, a deadly bullet, flashed
from the wheel of a lorry
into the visor of my helmet,
driving it hard onto my nose.
Speeding to Tipperary on motorbike;
it would have smashed my face;
the bike, careering, would have dragged
my body; legs and arms breaking
in impossible angles,
jacket ribboning, a grotesque melange
of cloth and blood-sopped flesh.
By that thickness or the grace of the Gods,
I am the Michael I take for granted;
by such margins, we presume.
Strange to say, those memories are barely more than water now;
fluid, indistinct, and always rushing away from me;
that they were ever more is immaterial, I am not who I was.
I do, of course, acknowledge that you have been part of that change,
and for the good, I have not forgotten your part, and I am thankful.
But I have difficulty remembering you. Your face refuses to settle,
more or less as water spills, it refuses to fix in my mind;
your voice comes and goes, otherworldly and faint, like a signal on the shortwave.
More strikingly though, your spirit has become remote from me;
not by choice, but with the passing of time, the mountain of featureless days
that I’ve kicked up behind me, the dust of accumulated years between us;
distance has anaesthetised me; I no longer remember the feeling of you being here.