I think love infinite:
stretching back to no beginning
onward to no end.
Having the most complete happiness
life can offer
makes the present limitless;
that completeness of oneself
through loving
makes an infinity of each moment.
Poetry by Irish poet Michael O'Dea. (poems © Michael O’Dea, Dedalus Press, Amastra-n-Galar, Lapwing Publications)
I think love infinite:
stretching back to no beginning
onward to no end.
Having the most complete happiness
life can offer
makes the present limitless;
that completeness of oneself
through loving
makes an infinity of each moment.
You video
green
faded
water
slide peregrine
lisp
the waterfall has been full
white
and loud
reminding me of long hair
and
city-park face-down
carefree chat
forgetfulness pleasure of being us
We sing the landscape, ourselves in it as we are, have been and will.
We sing in every language since no race owns it
and we sing of all times since landscape and time are wedded.
We sing its wellness and our singing makes it well;
we sing of the stars for they are the bright eyes of our ancestors
and we will return to them.
We sing the songs of stones and water, of deserts and fields;
of ascending and descending, of hardship and achievement, dreams
and wishes.
We sing the songs that are the floating contours of the planet, the northern
lights of the heavens; we send our songs across the world like universal fly-fishers;
we send them lightly and ask you to find them for there are no hooks
and when you do, sing for they all make the one map.
Mired in the contradictory propaganda of enemies,
the stultified masses become the pawns of presidents
and governments, who, like medieval overlords, claim
jurisdiction over their lives and send them to war for
no imparted benefit but the political capital of those who,
directing the course of annihilation from the rear, without care,
send them to their deaths and the subsequent reparation
of wrapping their remains in the flags of their dreaming.
Carving, relentlessly carving; the days sculpting,
long past physical peak, my most essential self
from the imposed, simulated, protocol-conscious
construct of employment years. Shaping the truer me,
daily experiences building my Alexandrian Library,
shelf after shelf filling as I would have them filled
so Goya, Hopper, Bacon, Bach, Pink Floyd and Myles
flow by my stones into my torrent; Du Fu, Kavanagh,
Whitman harmonious with Donegal’s shoreline and skies
and I may finally settle to my own frequency of life,
resonating with my own pleasures and designs.
When I have nothing to say, to write;
I imagine a white expanse,
a space to be filled;
it always forms a rectangle, a page in fact.
I wait for an idea to appear in that emptiness;
and, sure enough, something arrives, sooner or later,
like a stage coach on some remote winter road
in a Dickens novel.
First, a dark spot in a snow-covered wilderness;
I wait for it to take form.
Is it a herd of yak on a Himalayan slope, that stage coach
bound for London or is it a spot of mildew?
When it draws up it may not be a poem;
in fact it may have destroyed it:
the pristine white emptiness;
the untrodden field of freshly fallen snow.
The ferocity of the ocean dissipating on the beach;
its heaving waves falling flat and disappearing so I
am walking along the edge of its anger, in spume
turning into mice scuttling to the safety of the dunes.
Thousands of miles of Atlantic violence; bared teeth
in ranks lunging landward, spittle flying skyward
like savagery unleashed, uncontained, uncontainable;
white rage, jet loud, breaking powerless on the strand.
Happy Christmas, hoping the new year might see an end to the uneashed, uncontained savagery of 2023.
A truck over-loaded with pigs
reversed to the abattoir door.
The men dropped the ramp,
opened the tailgate
but the pigs stampeded away
from the space, climbing backward,
frenzied, into the melee of bodies,
screaming.
Beaten with sticks,
struggling to go forward, still jerking
their bodies back into the torture;
away from the stench of death,
back to life,
even at its most horrific.
Sun nested on the water,
Himalayan cumulus above the horizon,
a stratus sea,
a silver road to the moon;
sky and earth mimic each other.
I survey a polar wilderness,
a vastness above me;
sometimes the sea is limitless with sky
and is infinite;
I am Marco Polo, Cook or Shackleton
and there is so much that is unexplored
beyond this window
that these travels are epic;
unimaginable wonders roll in on the wind;
my eyes are nets.
i.
I do not sow a seed
to have seedling or sapling
wrenched from the earth.
Those welcome in my fields
celebrate the success of my crops;
those who have wreaked havoc
must answer for it on day the My return.
ii.
When God resurrects the dead,
will He not ask,
‘why are there so many children among the risen?’
Will He not then say,
‘these children were My creation;
who are these who have presumed to defy Me?’
‘I gave man dominion over the fish
beasts and birds, but not their fellow man.’
Will he not say, therefore,
‘these people have made false gods of themselves,
they have forfeited their place in Heaven.'
A Chagall view of life
All is Flow
In here, there is no one God,
no solidity nor weight;
all is flow.
Towns, buildings, steeples
are animals of the fields,
birds of the air;
there are no edges nor corners
but fish-like, curved all to all:
all is flow.
We make no division:
all that is rooted has wings,
all fly as free as notes from a violin.
Animals of the fields, birds of the air
light as thought;
you and I,
our loves and togetherness
all part of that murmurating life;
all is flow.
An edited version of a poem I wrote in 2021 inspired by a Sorolla painting of wife and daughters lying in the grass.
As we lay there, our grass bodies within the sea
of meadow; sweep of wind carrying us along,
flowers of rye. We, the droning bumble bees
in buttercups, the chirruping finches, chomping
cattle; sudden dartings within briary hedgerows,
rustlings, commotions but hunters’ silences too
and only a vague consciousness of the faraway
cataracts of traffic.
How sumptuous the flow of light and warmth,
the sinuousness of our bodies in that current;
the colours of the field embroidered into our bodies.
We, agglomerations of the soil, but the criss-crossing
zeniths of nerve and muscle too:
at one with the swathes of breeze-blown beauty,
settled, nested into our finest belonging.
Our colours are bells;
we, lovers, live forever;
defy perspective;
grow from each other
into each other;
no beginnings nor ends
but running timeless,
seamless like trains
through air.
Pearl-white, the day;
January frozen colourless.
The sun, golden in its cage,
a pint of lager in a man’s hand,
a quarter mile out on a frozen lake.
Light coming through a keyhole
from another world, perhaps:
Summer, honey-coloured warmth;
small enough to carry in a hand,
persistent enough to shine into my eye.
Light falling
like leaves
in Autumn;
you inside it.
Eyes grey
in their pools;
pale and thin,
dimming;
disappearing
among the wonderful
colours
of rotting.