Love made arcs of us,
and as water dreams
of droplets,
we dreamed the perfect circle
and might have found it,
but the curvature we brought,
unfortunately,
could not achieve it.
Unroll your pack;
set up home.
Poetry by Irish poet Michael O'Dea. (poems © Michael O’Dea, Dedalus Press, Amastra-n-Galar, Lapwing Publications)
Love made arcs of us,
and as water dreams
of droplets,
we dreamed the perfect circle
and might have found it,
but the curvature we brought,
unfortunately,
could not achieve it.
Unroll your pack;
set up home.
Far down; a glimmer of light
from inside the earth;
a wonder to our young eyes.
We lowered the bucket
through the ferns and darkness
to collect magic
and drew it up, into daylight:
pristine, icy; we drank
what we believed to be purity.
Her Hair
Her hair
fell, entwined tresses
down the length of her back,
down past her knees.
Morning sunlight found it
and nested there;
I was at a window
entranced.
It was just a moment,
an interval in the journey of clouds;
it was not yesterday,
nor even twenty years ago
Today I stopped to admire patterns
of run-off water on the strand;
the hair of Celtic goddesses
as will be remembered in stone.
Lives: we think of people.
Life: we think of the distinction
between organisms and inorganic substance.
I walk the beach; it’s littered with shells, billions,
remnants of dead organisms and I marvel.
Barely more than blobs of protoplasm; yet their shells
beautiful, fine as china, now beneath my feet;
an unfathomable scatter becoming sand.
We ask the purpose of life;
I look at these with same question;
the intricacy of the interactions of living things;
their sequestration of carbon, recycling of nurients,
building of habitats; even now fragmenting to sand.
I think of all the beaches worldwide;
and these stars we walk on;
their infinity, if we permit it.
Today
Can you spin a cloud onto a stick;
collect sequins of sunlight from a river;
walk the moon’s pathway over the sea?
There are times when happiness might belong
in this list; I thought so today when you cried
and we were not there to put our arms around you.
Happiness seemed very remote just then;
you might as well have tried to fill a jar with blue sky
and I could swear I heard a hollow clank from the universe.
Six years now in Donegal, six years retired from my teaching job in Dublin; there are defnite changes in my writing. Perhaps it's no surprise to find myself more aware of nature now, with a large garden to tend to and struggling to keep on top of the job. But also much more walking as I live beside the sea and on a country road that links into a vast network of unpopulated roads stretching off eastward across the border, through hilly and often empty lands into county Fermanagh.
The hedgerows, linear forests, teem with flowers from the early snowdrops into primrose season, foxglove onto fireweed of early Autumn; it's a succession I could not have named until I found myself living in a rural setting. And the land often rushy, lush with other plants, just as beautiful; a different palete of colours, a different atmosphere, a different set of feelings.
It’s past mid-August, and the year, measured in flowers, is turning.
The foxgloves gone, they faded quickly, followed the iris, that
followed the garlic out of season.
Now that fireweed floods the roadsides with carnivals of colour,
and bonfires of montbretia are raging gloriously out of control
the swallows being skittish, flying broken circles about the house,
we enter the season of apples reddening, pears yellowing, plums purpling.
Yearly, I get this feeling of sadness as though programmed into the cycle;
it’s not the passing of beauty; beauty just changes its cloak; it’s time
stealing a gift that only time can give.
September
Swallows
September,
swallows
suddenly in a frenzy
as though too long furled,
their true selves
must out;
fly from the wires
like crochets escaping staves;
hone their aeronautics ‒
wheel, sweep and swoop ‒
for tomorrow
they must swap wires
for lines of longitude
as though they were scored
down the centre of their brains;
be pulled south
as surely as iron filings
must fly to the poles.
The enamel white moon made a ladle on the water;
Li Po, a tick full of wine with a romantic heart,
rowed his boat up the long handle towards the bowl.
It was a gentle night, the air was warm and all was still;
he, with the fondest memories of all his lovers, sat
awhile, allowing himself to be enthralled by this beauty.
He became ecstatic; alone with the universe, colossal
therefore, and filled with the dream of love, he fell
into the water with arms wide to embrace the moon.
It was sudden, chill and lightless;
deceived by his love, he fell past euphoria
into the dank cavern that is the final knowing,
while up above the moon continued to beguile
all the wine-drinkers with love in their hearts,
all those who would drink their dreams into reality.
we deciphered incoherence
and muddled on.
I remember she, visiting, took his hand
and for want of words,
he sang to her
so tunelessly, it was not a tune,
yet, still, in all his life
he never sang so beautifully.
When I was a child,
time stretched beyond sight,
out over the curve of the earth;
Summer days deliciously slow,
mid-afternoon stalled in the sky;
the drone of bees the lag of seconds.
Life.
The daily events well worn,
the cobbles of living smoothed;
time slips over them with accelerating
ease and I, past seventy, looking at its blur
like a train-passenger with glazed eyes seeing
the years speed by like telegraph poles.
At the military cemetry, I am struck
by the myriad patterns of the crosses;
marvelling at the precision over and
over as I walk into new perspectives.
In death, the soldiers in this postumous
parade still creating the most beautiful,
mathematically correct symmetries.
The precision: clean, uniform, orderly;
identical crosses stretching into the
distance to the glory of the dead, to the
glory of the army. Individuality un-
observed; humanity absent; an army
of stones.
A powdering harangue ‒
the city's voice over unkempt pavements.
The footfall at 5.30,
the lighting up apartments;
desperate masses
rushing to close their doors
on the daytime hours.
That voice
gusting along those surfaces,
propelling them;
behind those cigarette-moment windows
they fold.
Perspective
Lately, I’ve been seeing January migrations of geese in the powder blue sky above Dublin. Those ever-shifting arrows sign-posting exotic, faraway countries are in my thoughts when a full-stop moves from the text into the blank margin of the page I’m reading.
I watch it moving up, turning right at the top, making for the gorge between the leaves; its slow progress suggesting rough terrain: a karst’s uneven pavements perhaps. What purpose, I wonder, can so small a creature have in undertaking this journey; where does the mite think it’s heading?
I might have found out, but at that moment a newscaster’s voice cut into my thoughts ̶ 95 people dead on a street in Kabul.
I lose sight of the full stop; for you are there, somewhere in that city at the height of the violence and you would not confess to us the dangers you face.
How high up, I wonder, must one be for our atrocities to be so small that they become ludicrous?
Dancing in the early hours
to Leonard Cohen’s oak-aged voice
swaying drunkenly to his words,
arms slack as streams of poured wine,
eyes soft as the vowels he intoned;
her feet uncertain, stepping cautiously
over the cobbles of song;
hearing each word a moment too late,
singing one beat behind;
the wine glass tipping precariously and
still the wine defying gravity
like her life was about to spill
and still it did not
a genie above a lamp for so many minutes,
holding the room expectant but
as suddenly as appeared was no more;
it seemed a spotlight went out.
A Transparent Eyeball
“I become a transparent eyeball; I am nothing; I see all; the currents of the Universal Being circulate through me; I am part of God.”
Ralph Waldo Emerson
Acknowledging
the occurrence of all things
in myself
as being one with God;
the unfettered transmission
of His deity through me
as the sensations of living
electrify my soul;
the ebullience I experience
in re-awakening daily
to His creation;
the infinity that defines me.