This poem was written a numb
er of years ago in response to a sculpture of a grouping of professors/teachers by Simon O'Donnell. Tongue in cheek, the poem pokes fun at the traditional rituals of universities and "old boy" schools and colleges; it could as easily be directed at the wigged personages officiating in our courts.
The Circle.
Now dried tobacco leaves,
these professors,
whose intellectual travails
have scoured them skinny,
are engaged in the Spring
ritual on the back lawn at Trinity.
Stripped naked, buttocks
slung low over the crew-cut grass,
hands beating mortar
boards; they sway on their haunches,
loosening the centuries'
compaction of soil grains.
Some say they are whipping
up the aurae of their forebears,
others that they are resonating
with the pain of earthworms
as they shift, right to
left, on the balls of their feet.
At the center, standing on
a box, a physics-doctor
with plumb-line hanging
from between forefinger and thumb
is demonstrating down.
I have watched them for an
age, seen their growth rings
appearing like
water-marks, the knowledge in their face-pouches
guarded like genitalia in
a bag.