In this poem I have, (not for the first time), exaggerated the amount of rainfall we get in Ireland; I tend to for its evocativeness. It creates a sense of the ethereal, lifting the earth into the clouds, thereby releasing all the spirits of the air onto the land. And I do believe that that closeness to the clouds has fuelled the famous imagination of Irish writers and story-tellers over the millennia. (Those wraith-like shapes of clouds drifting slowly across fields, through lonely valleys, tangling in stunted hawthorns, could hardly fail to impress lively, often superstitious imaginations). I also believe that the meeting of earth and sky, its ever-changing panoramas, contributes hugely to the spectacle and beauty of Irish scenery.
Here,
weather and landscape are one:
the
squall-flayed hills,
wind-warped
thorns,
lightless
grey limestone.
Even
in summer
the
fluke-ridden fields,
drizzle-drowned
hillsides,
midge-infested
boglands
groan
beneath sagging clouds;
and
if there are spells
of
sun-burst in the furze,
they
are too quickly muzzled with rain.
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