In the park, the leaves of another year have turned
to rust, fallen, rotted and been cleared.
The flower bed at the centre of the lawn is bare,
as is the children’s playground; the coffee-room
is boarded up and a film of water has darkened the colour
of everything: tree trunks, foot-paths, benches.
November’s beauty is not great splashes of primary colour
nor nature’s pretty embellishments, but the textures
that lie beneath them, even the lowered sun throwing
shadows from the unevenness of the ground.
My mind too is shaded by November.
Less distracted by obvious beauties, I search with narrower eye
among the austere denuded trees for patterns
of growth along their barks, of bud-beading,
of the varying strategies in the splay of limbs to capture sunlight.
I have a more artful eye, that bends more quickly to deeper thoughts,
turning sod and light inwards;
I rework the detritus of the passing year,
work those textures into words.
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