"True poets must be truthful"

......Wilfred Owen

This YouTube movie originates from Voices [Education Project] whose mission is to "Amplify the voices of veterans and civilian witnesses to war, in order to heal the wounds of war and lay the basis for a more peaceful world."
"Difference can lead to dialogue and growth rather than violence." To know more about this see their website:http://voiceseducation.org/

This clip sets very well the context to Owen's poetry.



Smile, Smile, Smile (by Wilfrid Owen)

Head to limp head, the sunk-eyed wounded scanned
Yesterday's Mail; the casualties (typed small)
And (large) Vast Booty from our Latest Haul.
Also, they read of Cheap Homes, not yet planned;
For, said the paper, "When this war is done
The men's first instinct will be making homes.
Meanwhile their foremost need is aerodromes,
It being certain war has just begun.
Peace would do wrong to our undying dead, --
The sons we offered might regret they died
If we got nothing lasting in their stead.
We must be solidly indemnified.
Though all be worthy Victory which all bought,
We rulers sitting in this ancient spot
Would wrong our very selves if we forgot
The greatest glory will be theirs who fought,
Who kept this nation in integrity."
Nation? -- The half-limbed readers did not chafe
But smiled at one another curiously
Like secret men who know their secret safe.
This is the thing they know and never speak,
That England one by one had fled to France
(Not many elsewhere now save under France).
Pictures of these broad smiles appear each week,
And people in whose voice real feeling rings
Say: How they smile! They're happy now, poor things.


23rd September 1918.

Irish Religion and Irish Literature

To be brought up Roman Catholic in Ireland in my generation and before, was to be brought up with with a strange mix of observance of hard fast doctrine on the conduct of one's life, and a wonderful belief in fantastical superstiton.I think this has a great deal to do with the richness of Irish literature.Anything is possible in a reality that can be influenced by supernatural events, where excessive pain is directly associated with love, where the icons of gentleness are sometimes gruesome.

It's a mix that brands itself, smoking, on the soul.

Legend

Though birds have nested

among the thorns, and the trunk

has grown wild with ivy,



his arms and legs

are still outlined in those sinews,

his belly is a knot of growth.



Deep in the withered leaves

shines an eye; a fish swims there;

he who eats the fish lives forever.



They say he was nailed to the tree,

well above the ground

so a soldier could lance his side



to satisfy the crowds

that fish swim in rivers,

wishes swim in blood.

Short Poems on Love and Life and Life Passing

Days scud by like clouds;
that generous wind
blows forever.

But it blew into a corner
where our days collected,
not clouds but leaves.

_________________________


One bullet
and your universe went black.

One piece of metal,
the opposite to a key.

_________________________

Heart:
empty hangar
but for a step-ladder
and a bucket of oil.


_________________________

Father’s Day:
her voice came into my head:
“Daddy’s Day”, she said.

I went to see if she was in her room;
it was 6am.
Can it really be so long ago?

__________________________


After all, a house is just a box
without a human to rattle.


__________________________

Your face: smoke.
Or was I holding it in smoke fingers?

Love crashed then receded.

Remember your face?
It might have been a heat haze in January.


___________________________

Air Spectacular - Starlings over Lough Rea

I've always known that starlings leave Red Arrows for dead. But take a look at this footage from Lough Rea, it's awesome.(brilliant posting by BDaly1234 on YouTube)



And this is the perfect introduction for a poem called, Dead Starling:

Last evening starlings were
balloon bursting
cluster bombing
wheat whirling
skirt twirling
cape sweeping
out beyond the town.


This morning
a meteorite
landed
outside my door;
there is nothing on earth
as motionless as
a dead starling.

Whale Song

The eeriest, saddest sound on the planet. Check out The Oceania Project channel on Youtube for more videos on whales and their beautiful, haunting songs. http://www.youtube.com/user/TheOceaniaProject

Mother Liked This Poem

To begin with, my mother was more than a little apprehensive of my writing poems. She dreaded finding herself published inside one of them. When one of my earliest publications turned out to be "Visiting the Corset Maker", her apprehension seemed well founded.Fortunately a friend of her's, who also visited the corset maker, liked the poem and her regard shifted.

However, she really did like "The Country Boy"; and though she occasionally wondered why I can't always write happy,pleasant poems, this poem convinced her that she could let me out with a biro in my hand.

When she had died I found her copy of "Sunfire" with press cuttings cellotaped in, and realised how proud she was of the book.

So for mother's day:

The Country Child.


The country child
runs in and out of rain showers
like rooms;

sees the snake-patterns in trains,
the sun's sword-play in the hedges
and the confetti in falling elder blossoms;

knows the humming in the telegraph poles
as the hedgerow's voice
when tar bubbles are ripe for bursting;

watches bees emerge from the caverns
at the centres of buttercups,
feels no end to a daisy chain,

feels no end to an afternoon;
walks on ice though it creaks;
sees fish among ripples and names them;

is conversant with berries
and hides behind thorns;
slips down leaves, behind stones;

fills his hands with the stream
and his hair with the smell of hay;
recognizes the chalkiness

of the weathered bones of sheep,
the humour in a rusted fence,
the feel of the white beards that hang there.

The country child
sees a mountain range where blue clouds
are heaped above the horizon,

sees a garden of diamonds
through a hole scraped
in the frost patterns of his bedroom window

and sees yet another world
when tints of cerise and ochre
streak the evening sky.

He knows no end, at night
he sneaks glimpses of Heaven
through the moth-eaten carpet of the sky.

I Give You

This tree's dripping fruit
to place in your mouth
to ripen your tongue.

The water guttering down
these green leaves
to be a trellis of fingers
about you.

This soft drizzle of sunlight
to fall gentle as the petals
of meadowsweet on your cheeks.

This bindweed and all tendrils
to hook and bind
our desires together.

Inspirational Bacon

Three Monsters (Sunfire, Dedalus Press 1998) is based on Francis Bacon’s famous triptych. The visceral nature of much of his work cuts straight through to feeling and so makes writing more heart-felt and immediate, that along with the mind-bending imagery which aids innovation.


Three Monsters.


Here are three monsters :
Agony, a greyhound skinned; howl.
Hollowness, a hen plucked; peck.
Dementia, a bundle of hay; scratch.


I have stood them on furniture
to pose.


They were in the entrails of spirit,
I picked them out with a forceps.
I thought they looked remarkable in the light.
I thought the viewing public
might want to scrape at them
with their spatulas.





Attitude (Sunfire) came from another Bacon image, "Paralytic Child Walking on All Fours (from Muybridge)".It has probably further from the spirit of the artist’s work; somehow the image engenders feelings of pity in conveying delicacy and vulnerability.

Attitude.


Who owns the child
with the withered arm-wings,
who carries the mutation that weighs a tonne;
who, when the air is full of flight, hops
and hops and hops.


See how the children littering the yard
launch like torn pages into careless flight.
Like gulls they hog the sunlight
while a sea worries far below.
This is the currency.


But who owns that child,
the child with the withered arm-wings.


Whatever about the success of the poems, Bacon’s art is wonderful.

War's Harvest

Early each morning, the river is obscured by fog;
sounds come ashore like cries from Limbo.

At dawn the young women come,
spools of brightly coloured thread, with fishing rods;

and, magical spiders, they cast weightless filaments
out over the water;

and for a moment there are more threads hanging
than there are people on the streets of Calcutta.

The river stops;
nothing stirs; the earth turns a little.

Then suddenly a rod bobs and bends
and stares through its tiny eye into the water;

straining, tensing, till in a slick of weed,
slivered as newt, a young man's body breaks the surface;

bulb-eyed, marble-chested and tapered
to a train of drops dripping back into the river.

Thousands upon thousands, like lanterns,
or candles being lifted from wax.

And when the fog clears
the women are standing with their unlit lanterns;

the bank is a thousand miles long
and the river is wider than an ocean.

Laughter Yoga in Rathmines

Catherine will be leading two Laughter Yoga sessions as part of ‘Festival Under The Clock’ on April 2nd in Rathmines Town Hall. The sessions are at 11am and 2pm, admission is free. She recommends you wear loose clothing, bring a yoga mat or towel to lie on, and a bottle of water.

A combination of unconditional laughter and yogic breathing, Laughter Yoga is a group activity in which laughter is induced without comedy but soon becomes contagious and yields well proven physiological and psychological benefits to those involved.

Clinical research on Laughter Yoga has proven that laughter lowers the level of stress hormones e.g. epinephrine and cortisol in the blood. It combats stress and depression, fosters positivity and hopefulness.

A trawl through some ‘laughter quotations’ confirms the above, my favourites include:

“Laughter is an instant vacation” - Milton Berle

“Laughter is the sun that drives winter from the human face” -Victor Hugo

“Laughter………. the most civilised music in the world” - Peter Ustinov

“There is little success where there is little laughter” - Andrew Carnegie

“Mirth is God's medicine. Everybody ought to bathe in it.” Henry Ward Beecher

“A good, real, unrestrained, hearty laugh is a sort of glorified internal massage, performed rapidly and automatically. It manipulates and revitalizes corners and unexplored crannies of the system that are unresponsive to most other exercise methods.” Author unknown

(This latter is true, there are very impressive and genuine statistics for the value of laughter as a physical work-out. Elsewhere it has been described as an internal jog.)

For further information on ‘Festival Under The Clock’ check out: www.festivalundertheclock.webs.com

20 Essential Irish Writers

Thanks to Carl Andrews for sending “Poetry and Miscellaneous Yap” a list of "20 essential Irish writers". See http://www.onlinecollegesanduniversities.net/blog/2011/20-essential-irish-authors/.
The advantage of lists in general is that they serve as a good introductory reading list for new-comers to a particular genre or whatever and of course, they give rise to lively debate. The downside is that they guide readers away from the many very talented writers, often more provocative and interesting , who never feature on lists. Of course the problem for the compilers of lists is that they know they will come under attack and so they play safe. At least here the list does not claim to be definitive, merely essential and it is interesting that a quarter of the writers on this list are from the Gaelic tradition.
My strongest point of disagreement would be the omission of Brian Friel. There would be strong arguments for short story writers Frank O’Connor or Sean O Faolain, for Máirtín Ó Direáin and Seán Ó Ríordáin, for Patrick Kavanagh, for Flann O’Brien. I would include any of these before Frank McCourt or Anne Enright.
However, follow the link and see what you think.

A Question I Ask Myself

Is the photography of the victims of war, famine, crime, natural disasters etc. acceptable? The argument, of course, is that it makes the rest of us aware and maybe mobilises our sympathies to the point where we do something about it.

But what about the photographer on the spot, who prioritises the photograph over the victim in a fleeting situation? The media circus attached to certain disasters?

And what about myself who buys the books?


A Brief Note on an Imminent Famine.

Everyone here will starve:
each bone will be a stripe,
each hand a bowl,
each leg a stick.

Then there’ll be the gluttony
of cameras:
our threadbare skin
will be devoured,
our eyes exported
shining like pickles.

Rain Street

Down the street
rain lights running
drizzling concrete
sizzling lake.
Flashes red flashes
running in rivulets
yachting cartons
crowd in a grate.
Umbrella shadows
with foot halo splashes
shirt collar drippings
shoes under siege.
Gutters play bongos
for galvanize tappers
tyres make clashes
spangling streams.
And faces in windows
unravel down panes
their cigarettes burning
their signature stains.
Then squinting bus queue
like socks on a line
become runaway legs
legs like twine.

Festival under the Clock 2011

Great line-up for this year’s “Festival Under The Clock” on April 2nd in Rathmines. Performances in Rathmines College kick off at 1.30pm with Cora Venus Lunny. Also in the afternoon are Liam O’Maonlaí, Latvian Choir "eLVē" and Cuckoo Savant.The evening entertainment includes John Spillane, comedian Jarlath Regan and the Toby Reiser Quartet.

On top of this there will be an opportunity to learn Breton Dancing and shed your worries with a session of laughter yoga.

Meanwhile a programme of events will take place in the Swan Centre and out on the street at Rathmines Square. These will include lots of family entertainments, busking, face-painting, dance etc. All sounds great and it's all free

You Know The Woman That

Her hand is tracing a face;
she sees it where her fingertips are
running down the cheek,
following along the jaw,
sweeping off the chin.

And then it seems
she doesn’t see it anymore;
standing outside Tesco’s,
her hands in mid air,
tears running down her face.

Nor does she see the procession of stares,
that great gobbling curiosity,
but gathers herself and bag,
crosses to the green grocer’s
and is, in a moment,busy pricing lettuce.