Saturday, November 24, 2012

Corporal Punishment


Mise Raifteirí an file,
Lán dúchais is grádh,
Le súile gan solas,
Le ciúnas gan crá. 

The opening quatrain to the famous gaelic poem fairly rolls off the tongue; it is perhaps the easiest few lines to memorise I’ve ever come across. However I had major problems memorising it owing  to the terror of been beaten yet  again by a teacher I encountered during my  schooldays in Roscommon. Over the course of a year, I was slapped numerous times across the face each time I had this teacher. Well learned verses flowed out of my head like sand.   

In my schooldays, primary and secondary, I and most others in my class groups were struck, (usually on the palms, one teacher liked to catch the back of the fingers on the upswing), with a snooker cue, bamboo, an assortment of kitchen-chair legs, leathers. Imagine: even then, (60’s, 70’s), there was an industry making leather straps with hand-grips for beating pupils.

That culture was accepted to the point that there was no point telling your parents; children were wrong. 

On one occasion, in preparation for catholic Confirmation, the class group was being examined on its knowledge of Christian Doctrine. The questioner went around each student in turn asking catechism questions. When a boy failed a question he got four slaps with the leg of a chair. On and on it went till there were just 2 boys standing. One of these failed somewhere in the twenties and got four slaps. The brightest boy in the class went on past the fiftieth question; when he eventually failed he was hit harder than the rest of us. Our guess was that this teacher revelled in his only opportunity ever to hurt this boy.
 
It was a time of institutionalised cruelty and total disrespect for humans under a particular age. The two examples above show how two people I would credit as basically decent were corrupted by their habitual use of corporal punishment.

Monday, November 19, 2012

Movies, Dreams and Gorgeous Faces

                                                    
 
 
 
                                                Ace Jackalope YouTube



Movies, Dreams and Gorgeous Faces
 
 

Ok, it's your movie house;
 
you got the doors shut tight;
 
out here’s ice.

 

Pacin’ up and down,

collar a chimney;

my cigarette smoke - tension.

 

Lookin’ at you:

we used t’share the picture house;
 
you’re gorgeous.

 

Twelve thirty, not a flicker;

I turn away, take the second left;

I'm in my bedroom.

 

Neon flashing red in my face -

she loves me, loves me not, loves me.....,

I keep repeating it;

 

the stammer occupies me.
 

.

 

Wednesday, November 14, 2012

To the Professors at Trinity

This poem was written a number of years ago in response to a sculpture of a grouping of professors/teachers by Simon O'Donnell. Tongue in cheek, the poem pokes fun at the traditional rituals of universities and "old boy" schools and colleges; it could as easily be directed at the wigged personages officiating in our courts.
 
 
 
 
  The Circle.
 

Now dried tobacco leaves, these professors,
 
whose intellectual travails have scoured them skinny,
 
are engaged in the Spring ritual on the back lawn at Trinity.


Stripped naked, buttocks slung low over the crew-cut grass,
 
hands beating mortar boards; they sway on their haunches,
 
loosening the centuries' compaction of soil grains. 
 

Some say they are whipping up the aurae of their forebears,
 
others that they are resonating with the pain of earthworms
 
as they shift, right to left, on the balls of their feet. 
 

At the center, standing on a box, a physics-doctor
 
with plumb-line hanging from between forefinger and thumb
 
is demonstrating down. 
 

I have watched them for an age, seen their growth rings
 
appearing like water-marks, the knowledge in their face-pouches
 
guarded like genitalia in a bag.

Saturday, November 10, 2012

Christine Takes To The Air.


Slipped on ice;
prim, haughty
Christine
takes to the air.

Wow, what a moment;
Christine,
the unabridged version,
totally graceless. 

Never on speaking terms;
from now on
I'm gonna greet her,
" hi yer"

Monday, November 5, 2012

trees keening

Another beautiful painting by Elaine Leigh.The trees invested with human features, and life in the their wind-blown hair mirroring the neolitic artwork beneath the earth.

Trees keening winter nights away;
their wails woven into the wind. 

Heads of hair like seaweed from the strand,
knots tailing limply towards the sea.  

Underground, roots twisted toward some source,
shaped by memory. 

Trees like abandoned lovers,
scratching down the marble of night-time.
   

(Image by and  poem from a collaboration entitled "Above Ground Below Ground")

Wednesday, October 31, 2012

The baby in the tree


 
The baby in the tree
is screaming.

High above the pathway
near the black tips
of the sycamore branches
he is gaping,
white membraned luminous. 

How did he get there? 

He blew there in the wind;
it took him
like a flag from his cot
till he was stretched
across the boughs
like the wings of a bat. 

And who sees him? 

I do;
all his hopeless writhing,
too high for the passerby.
And his screams:
too high,
too high for the passerby.

Wednesday, October 24, 2012

Resistance


Two poems from  “Turn Your Head”. They refer to individuals’ defiance in the face of torture and death. The looks on two faces among the photographs from Khmer Rouge’s death camp Tuol Sleng inspired the following two poems.
(I doubt this sort of bravery is on my own list of attributes.)

   1.

I will not look up.
I will not allow them look
me in the eye.

The light that shines there
I control;
I will not comply. 

Though freedom be reduced
to the thimble-full,           
I will have it when I die.

454.
Let them flash my hatred,
let it pierce them;
if they dislike it, they can kill me;
they will anyway.

Be sure lens, don’t miss my steady eye
and fixed mouth;
know that every muscle in my body
is a clenched fist.

Friday, October 19, 2012

A Treasure Hunt in Madrid

If I had my choice of buildings to walk into tomorrow morning; I might just choose the Museo del Prado in Madrid.
 
I would walk with purpose through the main entrance of the Villanueva Building, head straight then take a left, the Raphael collection would be before me but I’d be turning right, pass through the Durer Room with reservations but carry on, enter two rooms with Flemish paintings then take a left, and I would be there: Room 56A. Have a look, here is the url:
Rotate the view 180 to see the work on the end wall behind the cam; it is perhaps the artwork I most wish to see anywhere on the planet. 
 
If you agree with me, and have an hour to spare you will certainly enjoy this BBC programme:
 

Monday, October 15, 2012

Flaking


What Happened ?

I can’t remember.
no one thing, no bust up.
All the time talking
about our  love,
we were crumbling,
flaking,
till one day
the emptiness was complete
as our love had been.

Tuesday, October 9, 2012

Dicing with the Devil

The local men outside the church interested me as a youngster. On a point of doctrine, did it qualify as attendance at mass if you joined them outside the church or was it a matter of being inside the porch door? I suspect it must be the latter. But why did they bother at all? Does God make these sorts of distinctions? One way or the other they had the best time at mass with the exception, probably, of the priest and altar boys who as far as I was concerned always performed to full houses.

The After-mass Men were these men with the addition of a particular strain of ‘inside the door’ man, a type who appeared to me to be taking the same risk as marijuana smokers who hang out with heroin addicts. Anyway, morally,they all constituted a dodgy breed, endangering each Sunday their eternal living conditions.

These clusters of men arranged themselves in ways that would have excited a sculptor. Dark clothes and, I suspected, dark conversations reigned. They were a dangerous influence, to be avoided by such as myself, to be looked down on, to be prayed for like you’d have prayed for the conversion of Russia;and every boy risked joining them at least once.

The After-Mass Men

Remember those figures by the church wall
Sculpted in after-mass conversations:
Blather-tattooed men
That hung there by their jackets;
Museums with pockets,
Pockets full of knives,
pipes and matches.

Stone men:
Pre-Christians defiling Sabbaths
With their Saturday conversations.
Gargoyles:
Coats would be wrapped against them
As though they were sudden showers of hail.


from Sunfire (Dedalus Press)

Thursday, October 4, 2012

Paradise Lost in Dublin


Plans are afoot to have a reading of the whole text of John Milton's great poem Paradise Lost on Friday the 14th of December, 2012, in Trinity College Dublin. The event is being organised to raise funds for the National Council for the Blind (see www.ncbi.ie for further information) and to hear Milton's poem read by many different voices in one continuous reading.
 
Established poets and writers will feature prominently among the host of voices that will be involved in the day-long reading;a number of well-known poets are already on-board. Dr Philip Coleman and Dr Crawford Gribben of the School of English are the organisers of the event;it sounds great,definitely one of the literary events of the year.

Monday, October 1, 2012

Memories

A poem I have come back to many times. Dangerously close to sentimentality, but a challenge to get it right. Normally I'd wait a long time before anyone else would get to see it, but the last draft has been sitting there for ages out-staring me.

Two Lovers Sunbathing

 
Two lovers sunbathing on the grass
in a weave of meadow sounds;
laughter swishing them
round and around.

Together,
falling into the infinite blueness of the sky,
their hands clasped,
grasping eternity in an afternoon.

One sunny afternoon
forty years ago.

Wednesday, September 26, 2012

Before The End

It is difficult for children to attend a dying relative. The quiet, patient listening does not come easily.The regret returns in adulthood; part of life.


Before The End.

The bedside lamp shone
in the pool of her eye;
it made her teeth translucent,
runnelled her face.

Daylight and I were reluctant visitors;
the room smelling of trapped breath,
sickness and decay
made me anxious that I might inhale her disease;

and all I loved gone,
all dwindled down to duty.

Saturday, September 22, 2012

We Protect The Innocent, Don't We?

We protect our children. If there is a risk to innocent lives we do not fire. Collateral damage in war ..........is our consideration for children based on their race or nationality? Is not the the destruction of their innocent lives the ultimate act of cruelty, of racism?

Monday, September 17, 2012

Contemplating Goya


 
 
 
 
 
 
 
 
 
 
 
 
 
 
Plate 36

 
(referring to plate 36 from THE DISASTERS OF WAR
 by Francisco Goya) 

Contemplating this corpse,
you lean back on your elbow. 

A heart not pumping,
blood not coursing. 

Is that not a corpse?
Is it not dead as a snail's shell? 

Your eyes fixed on his face;
composure. 

There, that's where you recline;
beneath his composure  

trumping the handiwork
of the hangmen who thought, 

(as they always do),
that death was the final transaction.