Poetry by Irish poet Michael O'Dea. (poems © Michael O’Dea, Dedalus Press, Amastra-n-Galar, Lapwing Publications)
Sunday, August 16, 2020
The Exultation of Larks
Saturday, August 15, 2020
Mount Rushmore
“Whoever exalts himself will be humbled”
Feichín's Response to the Women of Omey
Thursday, August 13, 2020
Hey Darling, there’s something I wanna tell ya.
Wednesday, August 12, 2020
White Space
Monday, August 10, 2020
To Think
Sunday, August 9, 2020
Earrings
Saturday, August 8, 2020
beAuTiful asSyMetry
Five fish in a pond looks better than six,
as do five beech trees on a lawn.
I’d
rather not have tulips dotted regularly around the borders, thank you,
and I’m thankful the icebergs in Greenland are
not all cubes.
For
that matter, I’m beginning to tire of perfectly straight teeth.
Friday, August 7, 2020
A play of spotlights perhaps
August winds jostling the clouds along,
springing random blooms of sunlight, outbreaks
of vivid green fires along the mountainside.
Brilliant illuminations of colour with irregular margins
interweaving with the darker stands of fir and spruce.
The smile of playful movement brimming over the ferny
slopes, down to small emerald fields below the foothills,
down to the bay, where the gleams are returned,
like water, to the sky.
Thursday, August 6, 2020
I am a Swallow
I am a swallow,
a living arrow.
I cut straight through air,
flash down country lanes,
hedgerows fluidify;
I wheel in an instant if you are before me.
I am a scissors:
I cut arcs through the blue sky,
see the glint of my passing.
I am the big hand of time;
the earth is my clock face.
Wednesday, August 5, 2020
Days of our Lives
So we’d have a coffee, maybe two, then off
into town by the side streets, looking for
red-brick houses with lilac doors and yellow
window frames. Drop into the IFI, sit over
another coffee, browsing the catalogue with half interest,
the steady drift of film-goers and idlers with more.
On down Dame Street to College Green,
enjoying our navigation of ever-shifting crowds,
the dexterous manoeuvrability of ourselves.
In Hodges Figgis we’d scan the poetry
shelves and the art books, those names and titles
settling in our heads like we were travelling the
world: Heaney, Mahon, Carver, Balthus,
Kahlo, Lorca, Basho, Holub ‒ dabs of fresh paint
and print to keep us informed for a month or two ‒
before returning to Grafton Street to knit crooked stitches
through the crowds, stop a few minutes to hear a busker
play a saw or slide guitar then around to Tower Records
to be tempted by some new ECM arrival in the jazz section.
George’s, Aungier, Wexford, Camden, Richmond Streets;
the diminishing scale of a city’s architecture, and
the backwards walk down the telescope to the landscape
of our normal lives. Crossing the border at the canal, with
its familiar vista down Rathmines Road to the mountains
beyond; we, like fish, breathing easier in our own habitat,
saw our hurdles flattened, but, perhaps, never recognized
the days of our lives?
That beautiful odyssey: Saturdays, mid-morning to mid-afternoon;
or maybe it was just one Saturday,
or, maybe, it wasn’t at all.