cross the bridge
of your childhood
rolling it up
as you go
keep it
over your shoulder
ask for directions
to the desert
you’ll have arrived
when you are nowhere
unroll the rucksack
set up home
Poetry by Irish poet Michael O'Dea. (poems © Michael O’Dea, Dedalus Press, Amastra-n-Galar, Lapwing Publications)
cross the bridge
of your childhood
rolling it up
as you go
keep it
over your shoulder
ask for directions
to the desert
you’ll have arrived
when you are nowhere
unroll the rucksack
set up home
White is infinite:
infinite symmetries,
infinite perfections.
Intimidating therefore:
imperfection on white
is unforgivable.
I turned on my side, shadows moved between the wardrobe
and the ceiling, and over in the corner near the door. I closed
my eyes. Main Street was in the pours, its shops streaming down
the car windows, neon flashes, on and off, our faces dim
as 30watt bulbs, on off, on off, the car a prison of rain drumming
bad temper into our ears, and shapes of people fleeing both sides
of the street, like we too should be getting away, moving somewhere.
I opened my eyes to see Jesus in the wallpaper and closed my eyes
as quickly not to see Him, behind my eyelids a legion of angels
descended in iodine-coloured light from where coal-black clouds
had opened Heaven onto the earth. Open again, the lights of a car
travelled across the room, and left it blacker; where, I wondered,
can cars go in the pitch black night?
Gods; we make all that is in the world
beautiful when we are lovers.
In our sunlight all that was ordinary
is now spectacular, part of our happiness,
gathered around us, by us, to fulfill our
knowing of each other. All that is mundane,
the daily effects and events shine
with the gleam we see in each other;
all we live within heightened to exhilaration.
Love sees its perfection where it lives,
celebrates its belonging, and is complete.
If the stars fell
like snow
so all around
was a glow of lights
streaming
down our eyes,
making a surprise
of happiness,
I’d remember you,
between two lines
of July-dancing
sheets,
pegs in your teeth,
fast clouds in your hair;
ah, to be there
again
making a surprise
of happiness.
I wonder how it is taking leave of your loved ones that last time,
or watching the daffodils fade knowing it ito be your last season,
or hearing the words ‘rest now, breathing is too difficult’, knowing
those on the shore are letting the mooring line slip into the water.
Water
Water held my face;
the wind tried to steal it.
A fish jumped,
I had a brainwave:
why don’t you and I
make our home in the water?
Those first days away from home,
in a city with nowhere to go, knowing no one,
and no one to expect you at any place, any time
created an almost dizzying disconnectedness,
an unsettling emptiness; perhaps it felt like a lobotomy.
Alcohol was an easy decision: a place to hang out,
a reason to be there; alcohol would fill the hours,
dispel the loneliness. The hubbub of a bar was a vision of living;
though one was alone, a rock in a stream, for a while it felt like living,
and later, when the isolation began to drill your brain,
the alcohol would take you away, tuck you up in oblivion.
A crow, high up on the wires,
a knot of night-time
grumbling this last fifteen minutes;
gabbling inside his feathers
obscenity-filled arguments;
a vituperative stream.
Fagots of words issuing fluently,
from the throat behind his horny beak,
a language long hidden beneath the cloak
of feather and pitch;
a communication with the sky
as present and natural as weather.
Burren
The hard skin, we walked,
to the clouds,
and from the clouds to the sea,
and out to the lighthouse.
A country with no boundaries
between land and water,
nor land and sky,
nor past, nor future.
God lives in a cave,
God lives on the mountain,
God and the devil
living among others of their own kind.
We walked the pavements,
among living shadows;
they held out their hands;
their hands sang.
We saw, in water-filled hollows,
ourselves: air, rock and light,
transient and eternal;
cloudscapes, not people.
I give you midget man:
the mite with purpose.
I give you the inexplicable
workings of a miniaturised brain;
the repetitious trawl of a mind
across one, same, vacant square.
I pass onto you the question:
what possible purposes
can a zig-zagging corpuscle of life
have:
the conundrum of protoplasm,
slime, albeit contained,
having somewhere to go?
Knots on wires uncurling:
crochets escaping staves,
commas punctuation.
September swallows,
avionics engaged,
suddenly frenzied
as though their true selves,
too long furled,
must hone their aeronautics:
wheel, swoop, sweep;
for tomorrow
they will trace lines of longitude.
Along the edge of your grieving
is the wind’s voice,
that snags and flitters on the sloe;
blooming rags that flicker
through the hollows of your nights,
rummaging through your memories.
And, when the scouring is done,
dawn’s eye, dry as weathered bone,
will come, find you, nail you to its eternity.
Tipsy,
singing your lop-sided song
with uncertain voice,
as though notes were ice,
while all the time dancing
on unsteady feet.
A song
smothers in technique;
but you found its soul
and set it free;
you’ve never known, but
I loved you most just then.