The bed clothes
white clouds, and
her head, an abandoned object,
thrown upon them.
Behind her shut eyes,
who knows what stirs
though still,
so very still.
Poetry by Irish poet Michael O'Dea. (poems © Michael O’Dea, Dedalus Press, Amastra-n-Galar, Lapwing Publications)
The bed clothes
white clouds, and
her head, an abandoned object,
thrown upon them.
Behind her shut eyes,
who knows what stirs
though still,
so very still.
Brilliant sunlight, gleaming snow;
a new morning, a new earth
except for the trail of footsteps;
some philistine has damaged the canvas.
On closer inspection, a parchment
rich in some Neolithic script:
multiple series of tiny arrows speaking of gods,
grandeur, confusion, berries perhaps.
Bird prints, their writings
on the mysteries of a new earth.
I 'm a sucker for Pink Floyd and those beautiful guitar solos. Sometimes I get a longing to hear them, then light and sound are the same. If you fancy listening try https://www.youtube.com/watch?v=uchUg0AKcAU
Gilmour Guitar Solos
Played that guitar with its mouth gaping
teeth spilling out
spinning resorts
high as cumulus
sharp as rain flints
molten fingertips pulling notes
drill-bits pulverising the starry skies
steel tear-strings’ cut ends
whipping around
stratospheric
granite blades
alchemy
wisps into blue.
T'ang Dynasty poet, Li Po, is said to have died in 762CE when he fell drunk out of a boat trying to embrace the moon.
The enamel white moon made a ladle on the water.
Li Po, a tick full of wine with a romantic heart
rowed his boat up the long handle towards the bowl,
from which light poured bright as molten magnesium
and with the fondest memories of all his loves,
fell into water with arms wide to embrace the moon.
The embrace was chill and shivering; there was no light,
but, deceived by his last lover, he fell through that glory
into the dank cavern that takes us all to our final knowing.
High up above his head the light continued to beckon;
it beckons still to wine-drinkers with love in their hearts..
Last evening I gazed into water,
water gazed into me
and first to speak,
‘you’re lost’, he said.
The eyes seemed empty
to be unthinking,
but they were
and the message was full.
‘Both of us then’, I said
and his eyes were in mine;
I moved along
because he was troubling me.
Words,
swallows not trains,
swoop and dive;
blackbirds
lassoing the world
in their song,
trout leaps
through rings
in the river
sings;
not trains
no tracks,
but flies
flickering
light and sound
and swallows
swim
and blackbirds
lasso the world
in their song.
It is hard to come to terms with the vicious inhumanity that comes with war. Men, women and children so recently going through the normal routines of life; how hard it is to comprehend the obliteration of that day to day normality we take for granted. All the more so that so many are now giving their lives to have it restored.
For My Country
I am dead
flesh torn, brain unplugged.
For my country,
my body,
all eighteen years of its growing,
I give to its soil.
To my mind the overwhelming impression is the dignity it conveys, in Christ's expression, His bearing, the setting of the scene, the calm that emanates from the body.
Dignity
on Mantegna’s ‘The Lamentation over the Dead Christ'’
the holes left by nails
the ripped flesh
later inspected by fingers
serene
those sins impounded
beneath closed eyelids
and monumental perspective
marble-like folds in the cloth
rippled upward in musculature
a transfiguration David to pietà
the falling tears
as rain might stir a seedling
A child of four years is complaining of his worries,
the television exploding nightly in his living room,
talk of nuclear bombs and he already fearful for the life
he barely knows.
Listening to the news, his father’s forehead wrinkles,
so he wrinkles his; feels that tautness inside but lacks
the words to ask what his worries are and how they got
to be inside him.
Night-time, he cries with the fear of the horrors lurking
in the dark corners of his bedroom, screams out of sleep
and carries those charred eyes into the following day to see
yet again torn bodies and buildings being heaped around him.
A man is out cold on the footpath;
arms, legs splayed limp as shirt-sleeves;
fly open, penis bare;
unkempt, ill-fitting clothes,
dirty and worn.
Passers-by glimpse,
grimace momentarily;
distract themselves urgently
with a fireworks of alternative thoughts,
erase the scene.
It’s nice to stop off in Starbucks,
settle in cosy,
let the stresses of the day drain away.
There’s something nest-like about it,
among the office-workers, students, shoppers.
Hope hangs from the trees,
prayers dance;
the sick, the love-lorn
click their fingers;
an enamel mug keeps watch.
The sun and moon try to see
but cannot;
the stars try to land
but cannot.
Stone-made water
nestling in earth’s clasp;
dream of every thirst
always watching, silent as wisdom,
still in thought.
No holidays since 2019. I’m spending more and more time wanting to see new sights. I want to be dazzled again. So many places! Considering my reluctance to fly, near Europe is looking particularly attractive, and, of those countries, Portugal is the one least travelled to date.
I’m not a beach dweller; I get bored. What I do love is visiting Neolithic, medieval, Roman, early Christian, Pre-Christian, you get it, sites. Churches, ruined castles, palaces, archaeological digs, bridges, towers, wells, bells etc. I have difficulty passing any of them; something to be seen that I haven’t, it irks me.
Back to Portugal. Though it doesn’t have anything like the number of World Heritage Sites to be found in neighbouring Spain, France or Germany; it does have 14 that are quite close to each other and constitute a very doable touring route around the northern two thirds of the country, with Braga the most northerly site and Evora the most southerly.
Starting at Lisbon, heading north via Sintra, Coimbra, Porto onto Braga and returning via the Douro wine-making region, dipping into Spain to include three destinations there, and heading on south via Elvas, Evora back to Lisbon.
17 World Heritage Sites easily included inside two weeks. On the way, I’ll have seen Neolithic, medieval, Roman, early Christian, Pre-Christian sites: churches, ruined castles, palaces, archaeological digs, bridges, towers, wells, bells etc.
Sorted then and happy to resume my couch overlooking Donegal Bay.
Droplets
along the sharp edge of a stone
like a chain of headlights
in December traffic,
sidling onto moss greenery,
streaming down an algal thread
to a pool of pellucid water
over a mosaic of coloured stones.
Beads of water, taxis,
carrying you in iotas
to pools, your thoughts
in subterranean caverns
where the beauties are pin-sized
and, though forgotten,
were once your fireworks.
I think myself eternal:
a lineage unbroken
since the first cell,
carried onward in
the infinity of cells.
I think myself central
to the effervescence
that is existence;
and you too;
I think we are one.