If
whole, Dunbrody Abbey would be astonishingly
beautiful.
As
ruin,
it
stands, vestige
of
a
medieval
past, stripped
of context;
its
magnificence magnified by
isolation, a
gemstone
outcrop
in
a pasture, now
lichened
to the colours of the Irish sky.
Occasional
flourishes
in the
stonework coax
imagination’s
wooden
scaffolds,
ladders,
ropes
and pulleys to
be assembled:
ribs
must
fan
across
vaulted ceilings, capitals
must
crown the columns,
grotesques
and
gargoyles
must
emerge, trespassers from the walls.
And
though
a
melancholy
breath
pervades
the
ruined
passages
and doorways
from
the
devastation wrought by men, now
smoothed
by centuries’
weathering,
and
the
ceiling of sky that
portends
change
and the
eventual passing
of all things,
its
splendour
prevails, and
like
sun dazzling
on water,
the
old walls enchant.
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