The
old man loves to sing, but has a cracked voice;
when
he sings he cracks the song;
a
song not written for old men.
And
the composer
may, indeed, take umbrage,
as singer,
word
after word, loses footing on crumbling notes.
But
the old
man, singing
his song,
takes
his listeners along a less
frequented path; he’s
singing
defunct
dreams, wispy happinesses,
worries
and triumphs.
Fissures
open between the words, and there, sure
enough,
is
the other
song: the song of life
passing.
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