In that moment their eyes told everything:
the young woman in love,
the older seeing a young suitor hamming it up.
One smiling, the other concealing laughter;
in that one moment, in their eyes,
see how the broken wheel turns.
Poetry by Irish poet Michael O'Dea. (poems © Michael O’Dea, Dedalus Press, Amastra-n-Galar, Lapwing Publications)
In that moment their eyes told everything:
the young woman in love,
the older seeing a young suitor hamming it up.
One smiling, the other concealing laughter;
in that one moment, in their eyes,
see how the broken wheel turns.
Lough Graney
1.
Walking the jetty over the lake;
lying there.
Eternity. A June afternoon
in that place of peace;
no one to disturb you
but yourself
rushing over the water
to be with you,
to complete
your happiness.
2.
This
surface gifts the heavens to you;
I’ve always wondered how you could leave this place;
what finer existence could inveigle you?
Between lake and sky, soul stepping clear of body,
instantly ecstatic; did you imagine there was somewhere
the wings of your heart would find greater span?
Here, where the soft insistence of eternity enters your soul
and time bows to beauty.
This blog compels me to write, without it I don't think I'd have the motivation. Most would think twice about posting their undistilled efforts; I find it helps to get ideas down, later I can come back to work them, and so, I'm re-posting some amended poems from a few years ago.
It does mean I get to look back on quite a few posts that should never have been let out, but I console myself with the thought that even the greatest photgraphers have taken god knows how many average photographs in their quest to capture their most prized images.]
Explorer
Collecting your warmth on the palm of my hand:
explorer of exotic landscapes,
brushing over the warm skin,
the shallow arc of your back.
Behind closed eyes:
the sunlit concave of a desert dune
amidst an undulating vastness:
the sun-warmed backs of dreams.
cross the bridge
of your childhood
rolling it up
as you go
keep it
over your shoulder
ask for directions
to the desert
you’ll have arrived
when you are nowhere
unroll your pack
set up home
Far down; a glimmer of light
from inside the earth;
a wonder to our young eyes.
We lowered the bucket
through the ferns and darkness
to collect magic
and drew it up, heavy with mystery.
Pristine, icy; we drank
and believed it to be purity.
What is the law that states:
a particular quantity of liquid
is available for spillage from a glass
without changing the quantity
that remains within the glass.
We’re in Slattery’s front lounge;
it’s packed, a lively Friday-night crowd;
a small lady, slightly tipsy, more than actually,
is having another glass of red wine,
and in the act of bringing it to her mouth
sends a curtain of it around the room
catching everyone at chest height
with, what I would consider, a generous
portion of her drink.
Genteel-mannered all around;
“not at all, not at all, it's only a drop of wine”
“Aw this blouse, I was never fond of it anyway”;
she drinks on
totally oblivious to the cacophony of jangling nerves.
Won’t we remember our day at the pump house;
I played jangly old piano, you danced in sequins;
a few people came, a few more seemed to leave;
the trees were what trees should be in warm sunlight,
cast shadows dark enough for their leaves to be richest green
and the old buildings, with their stories peeling, stood there
like it was old news, and it was to them, but lives are short.
And won’t we remember you lay prone on the grass for hours;
it wasn’t the best of days and still, one day, it will be the best of days;
our day in the grounds of the old spa, the warm sun;
and I playing jangly old piano; you dancing in sequins.
Hedgerows sagging;
buzzes disappearing into shadows,
droning 'oh my God its warm';
cows, still statues, contemplating
but not quite remembering what
and the house of gables with the wicker fencing
seemingly empty
but there’s a bedroom window gaping
with a lush darkness within.
Sometimes the art of poetry is too much:
the poem moulded to magnificence;
its message, with an oh so scrawny neck,
strangled inside it.
Madonna of the Clouds
As the sea moves, clouds move;
life too,
from the arms
that surround childhood.
Heaven drowns,
lives struggle,
smiles are upturned;
but that early solidity saves us.
Ballindoon Priory is on the shores of Lough Arrow in Co Sligo. On a warm Summer's day it is a place of delicate beauty and calm.
Ballindoon
Cattle grazing, quiet as jellyfish;
mid-summer's trees drowsy,
loitering in the pools of their shadows.
The ruined priory of Ballindoon
perched between meadow and lake, asleep
with its dead congregations in its arms.
Stripped now to white-lichened limestone,
colours of an Irish sky;
scoured of medieval ostentation;
freed from the half-light of doleful nave
and chant-droning chancel,
the austerity of ceremonial formalies.
No longer prisoner,
no longer locked in to itself,
but open, earth to heaven, heaven to earth.
In my hands, this head, close to sleep
is a universe closing;
to burgeon in the morning,
to be again an infinity of possibilities.
I marvel.
And how many universes have been sent to war?
How many sleepy heads have emperors cradled?
You’d cook love;
I’d prefer it raw.
You’d put it on a plate;
I’d lick it off the floor.
You’d be moving onto afters;
I’d be craving more.
Zong,
falling into the lake
light
half light
gloom
darkness
Dling, dling,
a chain
of silvery white
bubbles
following it
down
Dwn
medals
spinning the light
descending
softly
sftly
into weeds
Weathered, the language
of North Atlantic gales and fleecing rain;
of bare granite, stunted thorns, tongue-red
roan-berries and rugged wild rose.
Of meadows, richly butter-cupped;
rickety fences, bed-end gates, stone walls
and their builders’ hands.
Of sodden bogs, the skies that douse them;
the hands that stacked the turf;
sparks rising into the sooty darkness,
nights by fire-sides,
the stories that kindled there.
Of the waters that plummet down mountainsides
then haul, barge-slow, silt through the midlands;
the hands that guided the tillers,
ploughs,
scattered the seed,
dragged needles through oceans of cloth,
harvested the carrageen and dulse
from freezing seashores.
The language of famine,
of jigs, reels and slow airs,
of high-fielding footballers, deft hurlers;
resistance to occupation;
devotion to saints or saints’ shadows;
myth and legend,
ghosts of ever-changing skies
and a restless earth.
Of flush green hedgerows,
their sudden stirrings and rustlings;
deep shadows, half-light and shade,
the known and unknown that exist together there.
Of orchards and dances,
factions and battles,
weddings and funerals;
the stitch and weave,
the words native to that soil, climate
and people;
the words that give name to it all.